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140404r20142013ie o 00 0 eng d |
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|a 9781782050537
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|z 1782050418
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|z 1782050531
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|z 9781782050414
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|a (OCoLC)880354651
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|c MdBmJHUP
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|a GV1646.I8
|b O235 2013
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|a 793.319415
|2 23
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1 |
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|a O'Connor, Barbara
|c (Cultural historian),
|e author.
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1 |
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|a The Irish Dancing :
|b Cultural Politics and Identities 1900-2000 /
|c Barbara O'Connor.
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1 |
|a Baltimore, Maryland :
|b Project Muse,
|c 2014
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|a Baltimore, Md. :
|b Project MUSE,
|c 2014
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|c ©2014
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300 |
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|a 1 online resource:
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Issued as part of book collections on Project MUSE.
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|a Includes bibliographical references (pages 155-173) and index.
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|a Acknowledgements -- The Irish Dancing : Cultural Politics and Identities -- The Body Politic : Dance and National Identity -- The Devil in the Dancehall : Church, State and Dance Regulation -- Ballrooms of Romance : Dance, Modernity and Consumption -- Return of the Repressed? Set Dance, Postmodernity and Community -- Dancing the Diaspora : Ethnicity and Cultural Memory -- The Riverdance Effect : Culture Industries and Global Irishness -- On With the Dance : Concluding Thoughts -- Notes -- Bibliography -- Index.
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|a Access restricted to authorized users and institutions.
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|a Partly thematic, partly chronological, this account of dance in Ireland emerges out of a broader interest in the body in society as well as in the construction of national and gender identities. It comprises seven chapters each of which addresses a particular form of cultural identity. These include national, ethnic, gender, social class, postmodern and global identities. It is structured in such a way that many of the chapters are devoted to a specific identity formation while issues of gender and social class are interwoven into most chapters. Underpinning the discussion throughout is the assumption that dance both reflects and produces the social, cultural and politic contexts within which it is performed and represented. This is so because bodily movement including dance reflects societal structures, norms and values as attested to by sociologists and dance scholars alike. Interwoven into the dance narrative, therefore, is the flow of Irish society over this time; a flow that incorporates social stability and social change, tradition and modernity, men and women, rural and urban, as well as the local, the national and the global.
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588 |
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|a Description based on print version record.
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650 |
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|a Dance
|z Ireland
|x History
|y 20th century.
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650 |
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|a Folk dancing, Irish
|z Ireland.
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655 |
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|a Electronic books.
|2 local
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710 |
2 |
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|a Project Muse,
|e distributor.
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|i Print version:
|z 1782050418
|z 9781782050414
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710 |
2 |
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|a Project Muse.
|e distributor
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830 |
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|a Book collections on Project MUSE.
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856 |
4 |
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/27999/
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945 |
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|a Project MUSE - Custom Collection
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945 |
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|a Project MUSE - 2014 Complete
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945 |
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|a Project MUSE - 2014 Global Cultural Studies
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