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The Irish Dancing : Cultural Politics and Identities 1900-2000 /

Partly thematic, partly chronological, this account of dance in Ireland emerges out of a broader interest in the body in society as well as in the construction of national and gender identities. It comprises seven chapters each of which addresses a particular form of cultural identity. These include...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: O'Connor, Barbara (Cultural historian) (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Baltimore, Maryland : Project Muse, 2014
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a O'Connor, Barbara  |c (Cultural historian),  |e author. 
245 1 4 |a The Irish Dancing :   |b Cultural Politics and Identities 1900-2000 /   |c Barbara O'Connor. 
264 1 |a Baltimore, Maryland :  |b Project Muse,  |c 2014 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2014 
264 4 |c ©2014 
300 |a 1 online resource:   |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
500 |a Issued as part of book collections on Project MUSE. 
504 |a Includes bibliographical references (pages 155-173) and index. 
505 0 |a Acknowledgements -- The Irish Dancing : Cultural Politics and Identities -- The Body Politic : Dance and National Identity -- The Devil in the Dancehall : Church, State and Dance Regulation -- Ballrooms of Romance : Dance, Modernity and Consumption -- Return of the Repressed? Set Dance, Postmodernity and Community -- Dancing the Diaspora : Ethnicity and Cultural Memory -- The Riverdance Effect : Culture Industries and Global Irishness -- On With the Dance : Concluding Thoughts -- Notes -- Bibliography -- Index. 
506 |a Access restricted to authorized users and institutions. 
520 |a Partly thematic, partly chronological, this account of dance in Ireland emerges out of a broader interest in the body in society as well as in the construction of national and gender identities. It comprises seven chapters each of which addresses a particular form of cultural identity. These include national, ethnic, gender, social class, postmodern and global identities. It is structured in such a way that many of the chapters are devoted to a specific identity formation while issues of gender and social class are interwoven into most chapters. Underpinning the discussion throughout is the assumption that dance both reflects and produces the social, cultural and politic contexts within which it is performed and represented. This is so because bodily movement including dance reflects societal structures, norms and values as attested to by sociologists and dance scholars alike. Interwoven into the dance narrative, therefore, is the flow of Irish society over this time; a flow that incorporates social stability and social change, tradition and modernity, men and women, rural and urban, as well as the local, the national and the global. 
588 |a Description based on print version record. 
650 0 |a Dance  |z Ireland  |x History  |y 20th century. 
650 0 |a Folk dancing, Irish  |z Ireland. 
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776 1 8 |i Print version:  |z 1782050418  |z 9781782050414 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/27999/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2014 Complete 
945 |a Project MUSE - 2014 Global Cultural Studies