Documenting the Documentary : Close Readings of Documentary Film and Video, New and Expanded Edition /

Anthology of essays on the artistic and persuasive aspects of documentary film from a range of critical viewpoints.

Detalles Bibliográficos
Otros Autores: Sloniowski, Jeannette, 1946- (Editor ), Grant, Barry Keith, 1947- (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Detroit : Wayne State University Press, [2014]
Colección:Book collections on Project MUSE.
Temas:
Documentary films.
LANGUAGE ARTS & DISCIPLINES > Journalism.
Documentary films > History and criticism.
Criticism, interpretation, etc.
Electronic books.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • The filmmaker as hunter : Robert Flaherty's Nanook of the north / William Rothman
  • "Peace between man and machine" : Dziga Vertov's Man with a movie camera / Seth Feldman
  • Paradise regained : Sergei Eisenstein's Que viva Mexico! as ethnography / Joanne Hershfield
  • Synthetic vision : the dialectical imperative of Luis Buñuel's Las hurdes / Vivian Sobchack
  • The art of national projection : Basil Wright's Song of Ceylon / William Guynn
  • The mass psychology of fascist cinema : Leni Riefenstahl's Triumph of the will / Frank P. Tomasulo
  • American documentary finds its voice : persuasion and expression in The plow that broke the plains and the city / Charlie Keil
  • "Men cannot act before the camera in the presence of death" : Joris Ivens's The Spanish earth / Thomas Waugh
  • The poetics of propaganda : Humphrey Jennings and Listen to Britain / Jim Leach
  • "It was an atrocious film" : Georges Franju's Blood of the beasts / Jeannette Sloniowski
  • The "dialogic imagination" of Jean Rouch : covert conversations in Les maîtres fous / Diane Scheinman
  • Documenting the ineffable : terror and memory in Alain Resnais's Night and fog / Sandy Flitterman-Lewis
  • Making the past present : Peter Watkins's Culloden / John R. Cook
  • "Don't you ever just watch?" : American cinema verite and Dont look back / Jeanne Hall
  • "Ethnography in the first person" : Frederick Wiseman's Titicut follies / Barry Keith Grant
  • The two avant-gardes : Solanas and Getino's The hour of the furnaces / Robert Stam
  • Seeing with experimental eyes : Stan Brakhage's The act of seeing with one's own eyes / Bart Testa
  • "A bastard union of several forms" : style and narrative in An American family / Jeffrey K. Ruoff
  • The documentary of displaced persona : Michael Rubbo's Daisy, the story of a facelift / Joan Nicks
  • Gender, power, and a cucumber : satirizing masculinity in This is spinal tap / Carl Plantinga
  • Documentary film and the discourse of hysterical/historical narrative : Ross McElwee's Sherman's march / Lucy Fischer
  • Subjectivity lost and found : Bill Viola's I do not know what it is I am like / Catherine Russell
  • Mirrors without memories : truth, history, and The thin blue line / Linda Williams
  • Documentaphobia and mixed modes : Michael Moore's Roger & me / Matthew Bernstein
  • Silence and its opposite : expressions of race in Tongues untied / Sheila Petty
  • Containing fire : performance in Paris is burning / Caryl Flinn
  • Contested territory : Camille Billops and James Hatch's Finding Christa / Julia Lesage
  • Spike Lee's 4 little girls : the politics of the documentary interview / Paula J. Massood
  • The gleaners and "us" : the radical modesty of Agnes Varda's Les glaneurs et la glaneuse / Virginia Bonner
  • "You must never listen to this" : lessons on sound, cinema, and mortality from Werner Herzog's Grizzly man / David T. Johnson
  • Cultural learnings of Borat for make benefit glorious study of documentary / Leshu Torchin.

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