Tabla de Contenidos:
  • Cover; Contents; Acknowledgments; Abbreviations in the Text; 1. Joyce, Bakhtin, and the Canon; Joyce and Popular Literature; Adolescent Attitudes; Joyce, the Press, and Popular Writing; The Problematics of Popularity; Bakhtin's Dialogism; 2. Young Dubliners: Popular Ideologies; ""The Sisters"": Breaking the Silence; ""An Encounter"": Boys' Magazines and the Pseudo-Literary; ""Araby"": Varieties of Popular Romance; ""Eveline"": Bourgeois Drama and Pornography; ""After the Race"": Modern Musketeers; ""Two Gallants"": The Ideology of Gallantry; ""The Boarding House"": The Rhetoric of Oxymoron
  • 3. Older Dubliners: Repetition and RhetoricStories of Maturity; ""A Little Cloud"": Exclusion and Assimilation; ""Counterparts"": Obsessive Repetition; ""Clay"": Repetition and Dialogism; ""A Painful Case"": The Rhetoric of Disembodiment; Stories of Public Life; ""Ivy Day in the Committee Room"": Consensus and Group Fantasy; ""A Mother"": Economic and Social Rhetoric; ""Grace"": Periphrasis and the Unspeakable; ""The Dead"": Women's Speech and Tableau; 4. A Dialogical Portrait; Dialogical Variations; Dialogism and Incremental Repetition; Stephen's Schooldays; Tom Brown's School-Days
  • Eric, or Little by Little and The HarroviansVice-Versa; Romantic Image; A Modern Daedalus; The Count of Monte Cristo; Romantic Precursors; 5. A Portrait of the Artist as Text; Stephen's Reading: Allusive Dialogism; Peter Parley's Tales; Ingomar the Barbarian and The Lady of Lyons; Joyce's Reading: Elusive Dialogism; The Ideology of an Aesthete: Havelock Ellis and The New Spirit; Portraits of Artists and Others; 6. Sex/Love/Marriage: Portrait, Stephen Hero, and Exiles; The Discourse of Sexuality and Marriage; Charles Albert: L'Amour libre; The Example of Exiles; Grant Allen: The Woman Who Did