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The Place of Dance : A Somatic Guide to Dancing and Dance Making /
An essential guide to embodied awareness.
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Middletown, Connecticut :
Wesleyan University Press,
2013.
|
| Colección: | Book collections on Project MUSE.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 035 | |a (OCoLC)864551458 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Olsen, Andrea. | |
| 245 | 1 | 4 | |a The Place of Dance : |b A Somatic Guide to Dancing and Dance Making / |c Andrea Olsen, with Caryn McHose. |
| 264 | 1 | |a Middletown, Connecticut : |b Wesleyan University Press, |c 2013. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2014 | |
| 264 | 4 | |c ©2013. | |
| 300 | |a 1 online resource (288 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a Cover; THE PLACE OF DANCE; Title; Copyright; Dedication; Contents; Preface; Introduction; About This Book; PART 1 MOVING; DAY 1 Basic Concepts Dance is both universal and highly personal.; To Do: Orientation; To Dance: Familiar-Voice Dancing; To Write: Personal Orientation; About the Tonic System; Studio Notes: Bonnie Bainbridge Cohen; DAY 2 Attitudes People have complex views about the dancing body.; To Do: Finding Your Calcaneus; To Dance: Opposite-Voice Dancing; To Write: Why Dance?; Studio Notes: David Dorfman; DAY 3 Flow Flow is our oceanic heritage.; To Do: Rolling and Pouring. | |
| 505 | 0 | |a To Do: Spherical AwarenessTo Dance: Plumb-Line Falls; To Write: Letting Words Flow; Studio Notes: Kathleen Hermesdorf; DAY 4 Fire Sometimes we need fire.; Bone Marrow; To Do: Vessel Breath; To Dance: Dancing through the Body Systems; To Write: Fire and You; Studio Notes: Caryn McHose; DAY 5 Getting Started You can only dance where you are.; To Do: Three Long Walks; To Dance: Presentations; To Write: Creative Conditions; Studio Notes: Penny Campbell; DAY 6 Training and Technique We train for the unknown.; What I Look for in a Performer (Tamar Rogoff); To Do: Hip Reflex. | |
| 505 | 0 | |a To Dance: Light-Touch DuetsTo Write: Identify Your Strengths and Weaknesses; Studio Notes: Jeanine Durning; DAY 7 Embracing Mystery Dancing involves surrender.; To Do: Breathing Spot; To Do: Three-Part Breath; To Dance: Refreshing What's Needed; To Write: What's Your Experience of Mystery?; Studio Notes: Suprapto Suryodarmo; Being Seen, Being Moved: Authentic Movement and Performance, Part I; DAY 8 Looking Back, Moving Forward Dance history comes in several forms.; To Do: Releasing the Jaw; To Dance: Dance One Artist's Dance; To Write: Your Dance Story; Studio Notes: Nancy Stark Smith. | |
| 505 | 0 | |a Studio Notes: Teena Marie CusterPART 2 MAKING; DAY 9 Improvising Improvising can be experienced on a continuum.; To Do: Freeing the Girdles; To Dance: Dance Your Partner; To Write: Improvisational Mind; Studio Notes: Lisa Gonzales, Pamela Vail, and Michael Chorney; DAY 10 Composing Composition is arranging.; To Do: Four Movement Qualities; To Dance: Framing; To Dance: Composing with a Group; To Do and Write: Dance-a-Day Notebook; Studio Notes: Jim Coleman; DAY 11 Choreographing Choreography involves the why of a thing.; To Do: Contra-lateral Yield and Push; To Dance: Building Trios. | |
| 505 | 0 | |a To Write and Do: Concept-Driven DanceStudio Notes: David Dorfman; Studio Notes: John Elder; DAY 12 Visceral Movement How do you know whether you're moving or still?; To Do: Pelvic Floor; To Dance: The Antidote-to-the-Antidote Dance; To Write: Artist's Statement; Studio Notes: Bebe Miller; DAY 13 Rehearsing The most stunning dancing happens in rehearsals.; To Do: Ball of Energy; To Dance: Body-Parts Duets; To Dance: Declarations; To Write: Reviewing Rehearsing; Studio Notes: Peter Schmitz; DAY 14 Sound and Music Ears are always open.; To Do: Resonance; To Dance: Dancing Twelve. | |
| 520 | |a An essential guide to embodied awareness. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Somesthesia. |2 fast |0 (OCoLC)fst01125771 | |
| 650 | 7 | |a Senses and sensation. |2 fast |0 (OCoLC)fst01112562 | |
| 650 | 7 | |a Dance |x Psychological aspects. |2 fast |0 (OCoLC)fst00887444 | |
| 650 | 7 | |a Dance. |2 fast |0 (OCoLC)fst00887402 | |
| 650 | 7 | |a PERFORMING ARTS |x Theater |x General. |2 bisacsh | |
| 650 | 6 | |a Sens et sensations. | |
| 650 | 6 | |a Somesthesie. | |
| 650 | 6 | |a Danse |x Aspect psychologique. | |
| 650 | 6 | |a Danse |x Histoire. | |
| 650 | 2 | |a Sensation | |
| 650 | 0 | |a Senses and sensation. | |
| 650 | 0 | |a Somesthesia. | |
| 650 | 0 | |a Dance |x Psychological aspects. | |
| 650 | 0 | |a Dance |x History. | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/27885/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - 2014 Film, Theater and Performing Arts | ||
| 945 | |a Project MUSE - 2014 Complete | ||