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131208s2013 nhu o 00 0 eng d |
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|z 2013942581
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|a 9781611685084
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|z 1611685087
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|z 9781611685077
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|a (OCoLC)864747264
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|a MdBmJHUP
|c MdBmJHUP
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1 |
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|a Shultis, Christopher.
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|a Silencing the Sounded Self :
|b John Cage and the American Experimental Tradition /
|c Christopher Shultis.
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250 |
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|a UPNE ed.
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264 |
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|a Hanover [e.g. Lebanon NH] :
|b University Press of New England,
|c 2013.
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264 |
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3 |
|a Baltimore, Md. :
|b Project MUSE,
|c 2014
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264 |
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|c ©2013.
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300 |
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|a 1 online resource (210 pages).
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336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a "Originally published in 1998 by Northeastern University Press"--Title page verso.
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0 |
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|t Music:
|t Dualism/unity/control : Ralph Waldo Emerson and Charles Ives ;
|t Nondualism and coexistence : Henry David Thoreau and John Cage --
|t Poetry and music:
|t The transparent eye/I : positioning the self in Pound-tradition poetics ;
|t Silencing the sounded self : the poetry and music of John Cage.
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|a Christopher Shultis has observed an intriguing contrast between John Cage's affinity for Thoreau and fellow composer Charles Ives's connection with Emerson. Although both Thoreau and Emerson have been called transcendentalists, they held different views about the relationship between nature and humanity and about the artist's role in creativity. Shultis explores the artist's "sounded" or "silenced" selves-the self that takes control of the creative experience versus the one that seeks to coexist with it-and shows how recognizing this distinction allows a better understanding of Cage. He then e.
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|a Description based on print version record.
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600 |
1 |
7 |
|a Thoreau, Henry David,
|d 1817-1862.
|2 fast
|0 (OCoLC)fst00029125
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600 |
1 |
7 |
|a Ives, Charles,
|d 1874-1954.
|2 fast
|0 (OCoLC)fst00052264
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600 |
1 |
7 |
|a Emerson, Ralph Waldo,
|d 1803-1882.
|2 fast
|0 (OCoLC)fst00028085
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600 |
1 |
7 |
|a Cage, John.
|2 fast
|0 (OCoLC)fst00011054
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600 |
1 |
0 |
|a Emerson, Ralph Waldo,
|d 1803-1882
|x Influence.
|
600 |
1 |
0 |
|a Ives, Charles,
|d 1874-1954
|x Influence.
|
600 |
1 |
0 |
|a Thoreau, Henry David,
|d 1817-1862
|x Influence.
|
600 |
1 |
0 |
|a Cage, John
|x Criticism and interpretation.
|
650 |
|
7 |
|a Music and literature.
|2 fast
|0 (OCoLC)fst01030479
|
650 |
|
7 |
|a Influence (Literary, artistic, etc.)
|2 fast
|0 (OCoLC)fst00972484
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650 |
|
7 |
|a Avant-garde (Music)
|2 fast
|0 (OCoLC)fst00824287
|
650 |
|
7 |
|a Avant-garde (Aesthetics)
|2 fast
|0 (OCoLC)fst00824280
|
650 |
|
7 |
|a MUSIC
|x Reference.
|2 bisacsh
|
650 |
|
7 |
|a MUSIC
|x Genres & Styles
|x Classical.
|2 bisacsh
|
650 |
|
6 |
|a Musique et litterature
|x Histoire
|y 20e siecle.
|
650 |
|
6 |
|a Musique experimentale
|z États-Unis.
|
650 |
|
0 |
|a Music and literature
|x History
|y 20th century.
|
650 |
|
0 |
|a Avant-garde (Aesthetics)
|z United States.
|
650 |
|
0 |
|a Avant-garde (Music)
|z United States.
|
651 |
|
7 |
|a United States.
|2 fast
|0 (OCoLC)fst01204155
|
655 |
|
7 |
|a History.
|2 fast
|0 (OCoLC)fst01411628
|
655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
|
655 |
|
7 |
|a Electronic books.
|2 local
|
710 |
2 |
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|a Project Muse.
|e distributor
|
830 |
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0 |
|a Book collections on Project MUSE.
|
856 |
4 |
0 |
|z Texto completo
|u https://projectmuse.uam.elogim.com/book/27865/
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945 |
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|a Project MUSE - Custom Collection
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945 |
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|a Project MUSE - 2014 Film, Theater and Performing Arts
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945 |
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|a Project MUSE - 2014 Complete
|