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Feminine Endings : Music, Gender, and Sexuality /

"When it was originally published in 1991, Feminine Endings was immediately controversial for its unprecedented intermingling of cultural criticism and musical studies, an approach that came to be called the "new musicology." Through case studies of works ranging from the canonical -...

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Detalles Bibliográficos
Autor principal: McClary, Susan (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Minneapolis : University of Minnesota Press, 2002.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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020 |z 9780816641895 
020 |z 0816695059 
035 |a (OCoLC)191662601 
040 |a MdBmJHUP  |c MdBmJHUP 
100 1 |a McClary, Susan,  |e author. 
245 1 0 |a Feminine Endings :   |b Music, Gender, and Sexuality /   |c Susan McClary ; with a new introduction. 
264 1 |a Minneapolis :  |b University of Minnesota Press,  |c 2002. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2015 
264 4 |c ©2002. 
300 |a 1 online resource (248 pages):   |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
505 0 0 |g 1.  |t Introduction : a material girl in Bluebeard's castle --  |g 2.  |t Constructions of gender in Monteverdi's dramatic music --  |g 3.  |t Sexual politics in classical music --  |g 4.  |t Excess and frame : the musical representation of madwomen --  |g 5.  |t Getting down off the beanstalk : the presence of a woman's voice in Janika Vandervelde's Genesis II --  |g 6.  |t This is not a story my people tell : musical time and space according to Laurie Anderson --  |g 7.  |t Living to tell : Madonna's resurrection of the fleshly. 
520 1 |a "When it was originally published in 1991, Feminine Endings was immediately controversial for its unprecedented intermingling of cultural criticism and musical studies, an approach that came to be called the "new musicology." Through case studies of works ranging from the canonical - operas by Monteverdi and Bizet - to the contemporary - the performance art of Diamanda Galas and popular songs by Madonna - Susan McClary focuses on the ways music produces images of gender, desire, pleasure, and the body, and explores the gender-based metaphors that circulate in discourse about music. This classic work features a new introduction that discusses the critical reception the book received and the debates it has inspired."--Jacket 
546 |a English. 
588 |a Description based on print version record. 
650 1 7 |a Seksualiteit.  |2 gtt 
650 1 7 |a Muziek.  |2 gtt 
650 1 7 |a Sekseverschillen.  |2 gtt 
650 7 |a Sexualität  |2 gnd 
650 7 |a Geschlecht  |2 gnd 
650 7 |a Geschlechterrolle  |2 gnd 
650 7 |a Musik  |2 gnd 
650 7 |a Sex in music.  |2 fast  |0 (OCoLC)fst01114481 
650 7 |a Feminism and music.  |2 fast  |0 (OCoLC)fst00922744 
650 7 |a MUSIC  |x History & Criticism.  |2 bisacsh 
650 6 |a Musique et femmes. 
650 6 |a Sexualite dans la musique. 
650 6 |a Feminisme et musique. 
650 0 |a Sex in music. 
650 0 |a Feminism and music. 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/27688/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - Archive Complete Supplement III 
945 |a Project MUSE - Archive Global Cultural Studies Supplement III