In The Break : The Aesthetics Of The Black Radical Tradition /

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Fred Moten investigates the provocative connections between jazz, sexual identity, and radical black politics. He focuses in particular on the brilliant improvisatory jazz of John Coltrane, Ornette Coleman, Albert Ayler, Eric Dolphy, Charles Mingus, and others, arguing that all black performance cul...

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Detalles Bibliográficos
Autor principal: Moten, Fred (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Minneapolis, MN : University of Minnesota Press, [2003]
Colección:Book collections on Project MUSE.
Temas:
Geschichte 1950-1969.
Esthetica.
Radicalisme.
Schwarze
Politisches Denken
Musik
Literatur
Radicalism.
Arts > Political aspects.
African Americans > Politics and government.
African Americans > Intellectual life.
African American arts.
African American aesthetics.
African American philosophy.
Improvisation in art.
Jazz > Philosophy and aesthetics.
Sex in music.
MUSIC > History & Criticism.
ART > Performance.
ART > Reference.
Sexualite dans la musique.
Improvisation (Art)
Philosophie noire americaine.
Arts noirs americains.
Esthetique noire americaine.
Jazz > Philosophie et esthetique.
Radicalisme > États-Unis.
Noirs americains > Politique et gouvernement.
Noirs americains > Vie intellectuelle.
Arts > Political aspects > United States.
Radicalism > United States.
Schwärze
USA
United States.
Electronic books.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Resistance of the object: Aunt Hester's scream
  • 1. The sentimental avant-garde. Duke Ellington's sound of love ; Voices/forces ; Sound in florescence (Cecil Taylor Floating Garden) ; Praying with Eric
  • 2. In the break. Tragedy, elegy ; The dark lady and the sexual cut ; German inversion ; 'Round the five spot
  • 3. Visible music. Baldwin's Baraka, his mirror stage, the sound of his gaze ; Black mo'nin' in the sound of the photograph ; Tonality of totality
  • Resistance of the object : Adrian Piper's theatricality.

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