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The Disciplinary Frame : Photographic Truths and the Capture of Meaning /
Photography can seem to capture reality and the eye like no other medium, commanding belief and wielding the power of proof. In some cases, a photograph itself is attributed the force of the real. How can a piece of chemically discolored paper have such potency? How does the meaning of a photograph...
| Autor principal: | |
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Minneapolis :
University of Minnesota Press,
2009.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 008 | 090410s2009 mnu o 00 0 eng d | ||
| 020 | |a 9780816666225 | ||
| 020 | |z 9780816642885 | ||
| 020 | |z 0816666229 | ||
| 035 | |a (OCoLC)318218237 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Tagg, John. | |
| 245 | 1 | 4 | |a The Disciplinary Frame : |b Photographic Truths and the Capture of Meaning / |c John Tagg. |
| 264 | 1 | |a Minneapolis : |b University of Minnesota Press, |c 2009. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2015 | |
| 264 | 4 | |c ©2009. | |
| 300 | |a 1 online resource (392 pages): |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a The one-eyed man and the one-armed man: camera : culture and the state -- The plane of decent seeing : documentary and the rhetoric of recruitment -- Melancholy realism: Walker Evans's resistance to meaning -- Running and dodging, 1943: the breakup of the documentary moment -- The pencil of history : photography, history, archive -- A discourse with shape of reason missing: art history and the frame. | |
| 520 | |a Photography can seem to capture reality and the eye like no other medium, commanding belief and wielding the power of proof. In some cases, a photograph itself is attributed the force of the real. How can a piece of chemically discolored paper have such potency? How does the meaning of a photograph become fixed? In The Disciplinary Frame, John Tagg claims that, to answer these questions, we must look at the ways in which all that frames photography-the discourse that surrounds it and the institutions that circulate it- determines what counts as truth. The meaning and power of photographs, Tagg. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Photography |x Philosophy. |2 fast |0 (OCoLC)fst01061781 | |
| 650 | 7 | |a Photography. |2 fast |0 (OCoLC)fst01061714 | |
| 650 | 7 | |a PHOTOGRAPHY |x Criticism. |2 bisacsh | |
| 650 | 7 | |a PHOTOGRAPHY |x Photoessays & Documentaries. |2 bisacsh | |
| 650 | 7 | |a PHOTOGRAPHY |x Individual Photographers |x Artists' Books. |2 bisacsh | |
| 650 | 7 | |a PHOTOGRAPHY |x Subjects & Themes |x General. |2 bisacsh | |
| 650 | 7 | |a PHOTOGRAPHY |x Collections, Catalogs, Exhibitions |x General. |2 bisacsh | |
| 650 | 6 | |a Photographie |x Histoire. | |
| 650 | 6 | |a Photographie |x Philosophie. | |
| 650 | 0 | |a Photography |x History. | |
| 650 | 0 | |a Photography |x Philosophy. | |
| 655 | 7 | |a History |2 fast |0 (OCoLC)fst01411628 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/27675/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - Archive Complete Supplement III | ||