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OurSpace : Resisting the Corporate Control of Culture /
In OurSpace, Christine Harold examines the deployment and limitations of culture jamming by activists. For Harold, it is a different type of opposition that offers a genuine alternative to corporate consumerism. Exploring the revolutionary Creative Commons movement, copyleft, and open source technol...
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Minneapolis :
University of Minnesota Press,
2007.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 020 | |z 0816654344 | ||
| 035 | |a (OCoLC)191728812 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Harold, Christine, |e author. | |
| 245 | 1 | 0 | |a OurSpace : |b Resisting the Corporate Control of Culture / |c Christine Harold. |
| 264 | 1 | |a Minneapolis : |b University of Minnesota Press, |c 2007. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2015 | |
| 264 | 4 | |c ©2007. | |
| 300 | |a 1 online resource (232 pages): |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a Introduction : the brand politics of consuming publics -- Detours and drifts : situationist international and the art of resistance -- Anti-logos : sabotaging the brand through parody -- Intermezzo : and now a word from our sponsors -- Pranks, rumors, hoaxes : "dressing up" and folding as rhetorical action -- Intermezzo : a sequel -- Pirates and hijackers : creative publics and the politics of "owned culture" -- Inventing publics : kairos and intellectual property law -- Conclusion : from private rights to common goods : OurSpace as a creative commons. | |
| 520 | |a In OurSpace, Christine Harold examines the deployment and limitations of culture jamming by activists. For Harold, it is a different type of opposition that offers a genuine alternative to corporate consumerism. Exploring the revolutionary Creative Commons movement, copyleft, and open source technology, Harold advocates a more inclusive approach to intellectual property that invites innovation and wider participation in the creative process. | ||
| 546 | |a English. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 1 | 7 | |a Politieke aspecten. |2 gtt |0 (NL-LeOCL)07863122X |
| 650 | 1 | 7 | |a Kapitalisme. |2 gtt |0 (NL-LeOCL)078555558 |
| 650 | 1 | 7 | |a Verzet. |2 gtt |0 (NL-LeOCL)078944082 |
| 650 | 1 | 7 | |a Controle. |2 gtt |0 (NL-LeOCL)078475899 |
| 650 | 1 | 7 | |a Cultuur. |2 gtt |0 (NL-LeOCL)078478138 |
| 650 | 1 | 7 | |a Massamedia. |2 gtt |0 (NL-LeOCL)07858471X |
| 650 | 7 | |a Rhetoric |x Political aspects. |2 fast |0 (OCoLC)fst01096959 | |
| 650 | 7 | |a Mass media and culture. |2 fast |0 (OCoLC)fst01011339 | |
| 650 | 7 | |a BUSINESS & ECONOMICS |x Consumer Behavior. |2 bisacsh | |
| 650 | 7 | |a LANGUAGE ARTS & DISCIPLINES |x Composition & Creative Writing. |2 bisacsh | |
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| 650 | 7 | |a LANGUAGE ARTS & DISCIPLINES |x Rhetoric. |2 bisacsh | |
| 650 | 6 | |a Medias et culture. | |
| 650 | 6 | |a Discours politique. | |
| 650 | 0 | |a Mass media and culture. | |
| 650 | 0 | |a Rhetoric |x Political aspects. | |
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| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/27666/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - Archive Complete Supplement III | ||
| 945 | |a Project MUSE - Archive Global Cultural Studies Supplement III | ||