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Montgomery Clift, Queer Star /

Strikingly beautiful and exceptionally talented, Montgomery Clift was at the peak of his fame in 1956 when a devastating car crash nearly destroyed his face. While this traumatic event robbed him of his heartthrob status and turned him into a somewhat disturbing, socially alienated character, the au...

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Detalles Bibliográficos
Autor principal: Girelli, Elisabetta
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Detroit : Wayne State University Press, [2013]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Girelli, Elisabetta. 
245 1 0 |a Montgomery Clift, Queer Star /   |c Elisabetta Girelli. 
264 1 |a Detroit :  |b Wayne State University Press,  |c [2013] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2013 
264 4 |c ©[2013] 
300 |a 1 online resource (296 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Contemporary approaches to film and media series 
505 0 |a Introduction -- Montgomery Clift and queer theory -- Irruption in Hollywood : the beautiful boy -- The peak of stardom : desire, multiplicity, deviancy -- The 1956 car accident and a new queerness -- The final period : "abnormality," asexuality, asynchrony -- Epilogue. 
520 |a Strikingly beautiful and exceptionally talented, Montgomery Clift was at the peak of his fame in 1956 when a devastating car crash nearly destroyed his face. While this traumatic event robbed him of his heartthrob status and turned him into a somewhat disturbing, socially alienated character, the author argues that Clift had always combined on-screen erotic ambiguity with real-life sexual nonconformity. In this book, she maps the development of Clift's subversive image over the span of his entire career, approaching Clift as a queer signifier who defied normative cultural structures. From the sexually ambivalent "beautiful boy" of his early films, to the seemingly asexual, transgressive, and often distressed man of his last years, the author argues that Clift shows remarkable consistency as a star: his presence always challenges established notions of virility, sexuality, and bodily "normality." This book uses queer theory to assess Clift's disruptive legacy, engaging with key critical concepts such as the closet, performativity, queer shame, crip theory, and queer temporality 
588 |a Description based on print version record. 
600 1 7 |a Clift, Montgomery.  |2 fast  |0 (OCoLC)fst00037922 
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600 1 0 |a Clift, Montgomery  |x Criticism and interpretation. 
650 7 |a Queer theory.  |2 fast  |0 (OCoLC)fst01739572 
650 7 |a Homosexuality and motion pictures.  |2 fast  |0 (OCoLC)fst00959820 
650 7 |a Gay motion picture actors and actresses.  |2 fast  |0 (OCoLC)fst00939194 
650 7 |a PERFORMING ARTS  |x Reference.  |2 bisacsh 
650 6 |a Theorie queer. 
650 0 |a Gay motion picture actors and actresses  |z United States. 
650 0 |a Homosexuality and motion pictures  |z United States. 
650 0 |a Queer theory. 
651 7 |a United States.  |2 fast  |0 (OCoLC)fst01204155 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
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710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/27599/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2013 Film, Theater and Performing Arts 
945 |a Project MUSE - 2013 Complete