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Black Resonance : Iconic Women Singers and African American Literature /

"Ever since Bessie Smith's powerful voice conspired with the "race records" industry to make her a star in the 1920s, African American writers have memorialized the sounds and theorized the politics of black women's singing. In Black Resonance, Emily J. Lordi analyzes writin...

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Detalles Bibliográficos
Autor principal: Lordi, Emily J., 1979-
Autor Corporativo: American Literatures Initiative
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New Brunswick, New Jersey : Rutgers University Press, [2013]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Lordi, Emily J.,  |d 1979- 
245 1 0 |a Black Resonance :   |b Iconic Women Singers and African American Literature /   |c Emily J. Lordi. 
264 1 |a New Brunswick, New Jersey :  |b Rutgers University Press,  |c [2013] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2014 
264 4 |c ©[2013] 
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505 0 |a Introduction: Black resonance -- Vivid lyricism: Richard Wright and Bessie Smith's blues -- The timbre of sincerity: Mahalia Jackson's gospel sound and Ralph Ellison's Invisible Man -- Understatement: James Baldwin, Bessie Smith, and Billie Holiday -- Haunting: Gayl Jones's Corregidora and Billie Holiday's "Strange Fruit" -- Signature voices: Nikki Giovanni, Aretha Franklin, and the Black Arts movement -- Epilogue: "At Last": Etta James, poetry, hip hop. 
520 |a "Ever since Bessie Smith's powerful voice conspired with the "race records" industry to make her a star in the 1920s, African American writers have memorialized the sounds and theorized the politics of black women's singing. In Black Resonance, Emily J. Lordi analyzes writings by Richard Wright, Ralph Ellison, James Baldwin, Gayl Jones, and Nikki Giovanni that engage such iconic singers as Bessie Smith, Billie Holiday, Mahalia Jackson, and Aretha Franklin. Focusing on two generations of artists from the 1920s to the 1970s, Black Resonance reveals a musical-literary tradition in which singers and writers, faced with similar challenges and harboring similar aims, developed comparable expressive techniques. Drawing together such seemingly disparate works as Bessie Smith's blues and Richard Wright's neglected film of Native Son, Mahalia Jackson's gospel music and Ralph Ellison's Invisible Man, each chapter pairs one writer with one singer to crystallize the artistic practice they share: lyricism, sincerity, understatement, haunting, and the creation of a signature voice."--Publisher website 
588 |a Description based on print version record. 
650 7 |a Music in literature.  |2 fast  |0 (OCoLC)fst01030552 
650 7 |a American fiction  |x African American authors.  |2 fast  |0 (OCoLC)fst00807049 
650 7 |a African American women in literature.  |2 fast  |0 (OCoLC)fst00799498 
650 7 |a MUSIC  |x General.  |2 bisacsh 
650 7 |a LITERARY CRITICISM  |x American  |x General.  |2 bisacsh 
650 6 |a Musique dans la litterature. 
650 6 |a Chanteuses noires americaines  |x Dans la litterature. 
650 6 |a Roman americain  |x Auteurs noirs americains  |x Histoire et critique. 
650 0 |a Music in literature. 
650 0 |a African American women in literature. 
650 0 |a African American women singers  |x In literature. 
650 0 |a American fiction  |x African American authors  |x History and criticism. 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Electronic books.   |2 local 
710 2 |a American Literatures Initiative. 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/27475/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2014 Literature 
945 |a Project MUSE - 2014 Complete