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131108s2013 scu o 00 0 eng d |
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|a 9781611172881
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|z 9781611172874
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|a (OCoLC)862367889
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|a MdBmJHUP
|c MdBmJHUP
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|a Boles, William C.,
|d 1966-
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245 |
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|a Understanding David Henry Hwang /
|c William C. Boles.
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|a Columbia :
|b The University of South Carolina Press,
|c [2013]
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|a Baltimore, Md. :
|b Project MUSE,
|c 2013
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|c ©[2013]
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|a 1 online resource (160 pages).
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Understanding Contemporary American Literature
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|a Understanding David Henry Hwang -- Hwang's Asian American trilogy : FOB, The dance and the railroad, and Family devotions -- Two experiments : Sound and beauty and Rich relations -- International success : M. Butterfly -- After M. Butterfly : controversy, love, failure, and gold -- A musical Hwang : Flower drum song -- Wrapping up, beginning anew : Yellow face and Chinglish.
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|a David Henry Hwang is best known as the author of M. Butterfly, which won a 1988 Tony Award and was a finalist for a Pulitzer Prize, and he has written the Obie Award-winners Golden Child and FOB, as well as Family Devotions, Sound and Beauty, Rich Relations, and a revised version of Flower Drum Song. His Yellow Face won a 2008 Obie Award and was a finalist for a Pulitzer Prize. This book is a critical study of Hwang's playwriting process as well as the role of identity in each one of Hwang's major theatrical works. A first-generation Asian American, Hwang intrinsically understands the complications surrounding the competing attractiveness of an American identity with its freedoms in contrast to the importance of a cultural and ethnic identity connected to another country's culture. The author examines Hwang's plays by exploring the perplexing struggles surrounding Asian and Asian American stereotypes, values, and identity. The author argues that Hwang deliberately uses stereotypes in order to subvert them, while at other times he embraces the dual complexity of ethnicity when it is tied to national identity and ethnic history. In addition to the individual questions of identity as they pertain to ethnicity, this book showcases how Hwang's plays explore identity issues of gender, religion, profession, and sexuality. The volume concludes with a treatment of Chinglish, both in the context of rising Chinese economic prominence and in the context of Hwang's previous work. Hwang has written ten short plays including The Dance and the Railroad, five screenplays, and many librettos for musical theater. The recipient of fellowships from the National Endowment for the Arts and the Guggenheim and Rockefeller foundations, Hwang was appointed by President Bill Clinton to the President's Committee on the Arts and the Humanities. This book explores and examines some of his most compelling works.
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|a Description based on print version record.
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600 |
1 |
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|a Hwang, David Henry,
|d 1957-
|2 fast
|0 (OCoLC)fst00092885
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600 |
1 |
1 |
|a Hwang, David Henry,
|d 1957-
|x Criticism and interpretation.
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600 |
1 |
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|a Hwang, David Henry,
|d 1957-
|x Criticism and interpretation.
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650 |
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|a LITERARY CRITICISM
|x Drama.
|2 bisacsh
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650 |
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|a DRAMA
|x American.
|2 bisacsh
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655 |
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7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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655 |
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|a Electronic books.
|2 local
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|a Project Muse.
|e distributor
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|a Book collections on Project MUSE.
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856 |
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/27310/
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945 |
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|a Project MUSE - Custom Collection
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945 |
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|a Project MUSE - 2013 Film, Theater and Performing Arts
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945 |
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|a Project MUSE - 2013 Complete
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