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131014s2013 lau o 00 0 eng d |
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|a 9780807152027
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|z 9780807152041
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|a (OCoLC)860711596
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|a Caffery, Joshua Clegg.
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|a Traditional Music in Coastal Louisiana :
|b The 1934 Lomax Recordings /
|c Joshua Clegg Caffery ; foreword by Barry Jean Ancelet.
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|a Baton Rouge :
|b Louisiana State University Press,
|c 2013.
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|a Baltimore, Md. :
|b Project MUSE,
|c 2014
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|c ©2013.
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|a 1 online resource (384 pages).
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a COVER; CONTENTS; FOREWORD; ACKNOWLEDGEMENTS; INTRODUCTION; JIG, JURÉ, AND GESTE: A BRIEF TAXONOMY OF THE 1934 LOMAX COLLECTION; Traditional French Song; African American Folk Song; English and American Folk Song; Cajun and Creole (Zydeco) Music; Instrumental Songs; A NOTE ON THE TRANSRIPTIONS AND TRANSLATIONS; ACDIA PARISH; Sansey Bonnet; La Fille de quatorze ans; Jolie Brune; Grand Dieu, que je suis à mon aise; Si j'aurais des ailes; La Belle qui est endormie; Mr. Bornu; Poup e, donne-l'e ton negre; Inch above Your Knee; The Old Chisholm Trail; Belle; The Breaux Brothers Band.
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|a Little Dog BluesLeon Ewens; Frankie and Albert; Eddie Murphy; The Waco Girl; Ollie Murphy; The Orphan Girl; The Stafford Family; Jesse Stafford; Je m'endors; Devilish Mary; I'm Alone in This World; Sam Stafford; The Girl I Left in Missouri; Charlie Was a Nice Young Boy; Skip to My Lou; Sam and Jesse Stafford; Trois Jolis Tambours; Ella Varney (Barney); Ain't Gonna Grieve; EAST BATON ROUGE PARISH; Hosea Phillips, Eraste Vidrine, and Hart Perrodin; Grand Basile; J'ai passe devant ta porte; Depuis l'âge de quinze ans; Baiolle; IBERIA PARISH; Sam "Old Dad" Ballard; Big Leg Ida; Catch That Train.
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|a He Got a Debt to PayI Got Up This Morning/Bet on Cueball/A Long Tall Gal; Tamp 'em Up Solid; Davoust Berard; La Fête printaniere; Les Amours et les Beaux Jours; Mes Amis, je suis gris; Davoust Berard, Alfred Granger, and Fernest Boutte; Viens belle nuit; Alberta Bradford and Becky Elzy; Adam in the Garden Pinnin' Leaves; Dry Bones; Give-a Me Jesus; I Want to Go to Heaven All Dressed in White; Jesus Roll 'Er in His Arms; Thank God Almighty; Comin' Down the Line; Oliver Charles, Foster Charles, and Dusty Livingston; Job's Gone to Heaven; Heard 'em When They Called Elijah's Name; Wilfred Charles.
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|a Dego/ZydecoLuneda Comeaux; Je suis la delaissee; Le Beau Galant; La Belle, je suis venu; La Belle s'en va; Je suis ne en automne; La Toute Petite Couette; Dans le village; La Sainte Catherine; Je me suis marie; Charmant Billie; Un de ces grands matins; Madame Joe; Auparavant de s'en aller; Asseyez-vous dessus la terre; Fait le tour, we danced all night; Madame Fardeuil; Laissez-moi; Henry DeCuir; Jambe de bois; Alfred Granger; Je tiens ma bouteille; L'Amour et Fanatisme; Didier Hebert; Mes Camarades il faut partir; Luke Hebert; À boire; Adieu, mes vingt ans.
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|a C'est l'amour qui m'a seduit le coeurThe Hoffpauir Family; Papier d'epingles; La Jolie Fille et le Garçon Colonial; Il faut hisser ces voiles; Je te benis ma fille; Je caresserai la belle; Au long de ce rivage; Si j'aurais les souliers; Ouvre la porte; La Caille et la Perdrix; Dans mon chemin rencontre; Tout un beau soir; Un Matin j'etais sur ma galerie; J'ai vu Lucille; Sept Ans sur mer; Les Clefs de la prison; Une Jeune Fille de quatorze ans; Au pont de l'anse; Le Plus Jeune des trois; Je m'ai fait une maîtresse; Mademoiselle Emelie; The Segura Brothers.
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|a Alan Lomax's prolific sixty-four-year career as a folklorist and musicologist began with a trip across the South and into the heart of Louisiana's Cajun country during the height of the Great Depression. In 1934, his father John, then curator of the Library of Congress's Archive of American Folk Song, took an eighteen-year-old Alan and a 300-pound aluminum disk recorder into the rice fields of Jennings, along the waterways of New Iberia, and behind the gates of Angola State Penitentiary to collect vestiges of African American and Acadian musical tradition. These recordings now serve as the.
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|a Description based on print version record.
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1 |
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|a Lomax, Alan
|d 1915-2002
|2 gnd
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|a Lomax, Alan,
|d 1915-2002
|2 fast
|0 (OCoLC)fst00013477
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|a Lomax, Alan,
|d 1915-2002
|x Ethnomusicological collections.
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|a Volkslied
|2 gnd
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|a Folk music
|2 gnd
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650 |
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|a Musikethnologie
|2 gnd
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|a Folk songs.
|2 fast
|0 (OCoLC)fst00929707
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650 |
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|a Folk music.
|2 fast
|0 (OCoLC)fst00929383
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650 |
|
7 |
|a Ethnomusicology
|x Private collections.
|2 fast
|0 (OCoLC)fst01353057
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650 |
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|a Cajun music.
|2 fast
|0 (OCoLC)fst00843939
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650 |
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|a African Americans
|x Music.
|2 fast
|0 (OCoLC)fst00799648
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650 |
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|a MUSIC
|x Instruction & Study
|x Theory.
|2 bisacsh
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|a Musique cajun
|z Louisiane
|x Histoire et critique.
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|a Chansons folkloriques
|z Louisiane
|x Histoire et critique.
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650 |
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|a African Americans
|z Louisiana
|x Music
|x History and criticism.
|
650 |
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|a Cajun music
|z Louisiana
|x History and criticism.
|
650 |
|
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|a Folk music
|z Louisiana
|x History and criticism.
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|a Folk songs
|z Louisiana
|x History and criticism.
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651 |
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|a Louisiana
|2 gnd
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|a Louisiana.
|2 fast
|0 (OCoLC)fst01207035
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|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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|a Electronic books.
|2 local
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|a Project Muse.
|e distributor
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|a Book collections on Project MUSE.
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/27111/
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|a Project MUSE - Custom Collection
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945 |
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|a Project MUSE - 2014 US Regional Studies, South
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945 |
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|a Project MUSE - 2014 Complete
|