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Making Modernism Soviet : The Russian Avant-Garde in the Early Soviet Era, 1918-1928 /

This book provides an understanding of the ideological engagement of Russian modern artists such as Kazimir Malevich, Alexander Rodchenko, and Vera Ermolaeva with the political and social agenda of the Bolsheviks in the chaotic years immediately following the Russian Revolution. Focusing on the rela...

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Detalles Bibliográficos
Autor principal: Kachurin, Pamela Jill
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Evanston, Illinois : Northwestern University Press, 2013
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Kachurin, Pamela Jill. 
245 1 0 |a Making Modernism Soviet :   |b The Russian Avant-Garde in the Early Soviet Era, 1918-1928 /   |c Pamela Kachurin. 
264 1 |a Evanston, Illinois :  |b Northwestern University Press,  |c 2013 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2013 
264 4 |c ©2013 
300 |a 1 online resource (144 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
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500 |a Substantial revision of the author's thesis (1998). 
505 0 |a The great experiment : the Moscow Museum of Painterly Culture, 1918-1928 -- The center of artistic life : the Peoples' School of Art in Vitebsk, 1919-1923 -- The last citadel : the Petrograd Museum of Artistic Culture GINKhUK, 1919-1926 -- Epilogue. 
520 |a This book provides an understanding of the ideological engagement of Russian modern artists such as Kazimir Malevich, Alexander Rodchenko, and Vera Ermolaeva with the political and social agenda of the Bolsheviks in the chaotic years immediately following the Russian Revolution. Focusing on the relationship between power brokers and cultural institutions under conditions of state patronage, the author lays to rest the myth of the imposition of control from above upon a victimized artistic community. Drawing on extensive archival research, she shows that Russian modernists used their positions within the expanding Soviet arts bureaucracy to build up networks of like-minded colleagues. Their commitment to one another and to the task of creating a socially transformative visual language for the new Soviet context allowed them to produce some of their most famous works of art. But it also contributed to the "Sovietization" of the art world that eventually sealed their fate. 
588 |a Description based on print version record. 
650 7 |a Visual Arts - General.  |2 hilcc 
650 7 |a Art, Architecture & Applied Arts.  |2 hilcc 
650 7 |a Visual Arts.  |2 hilcc 
650 7 |a Modernism (Art)  |2 fast  |0 (OCoLC)fst01024442 
650 7 |a Avant-garde (Aesthetics)  |2 fast  |0 (OCoLC)fst00824280 
650 7 |a Artists and museums.  |2 fast  |0 (OCoLC)fst00817638 
650 7 |a Art, Soviet.  |2 fast  |0 (OCoLC)fst00816902 
650 7 |a Art  |x Political aspects.  |2 fast  |0 (OCoLC)fst00815309 
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650 6 |a Art sovietique. 
650 6 |a Modernisme (Art)  |z URSS. 
650 6 |a Art  |x Aspect politique  |z URSS. 
650 0 |a Art, Soviet. 
650 0 |a Modernism (Art)  |z Soviet Union. 
650 0 |a Avant-garde (Aesthetics)  |z Soviet Union. 
650 0 |a Art  |x Political aspects  |z Soviet Union. 
650 0 |a Artists and museums  |z Soviet Union  |x History  |y 20th century. 
651 7 |a Soviet Union.  |2 fast  |0 (OCoLC)fst01210281 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
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945 |a Project MUSE - 2013 Russian and East European Studies 
945 |a Project MUSE - 2013 Complete