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131007s2013 nju o 00 0 eng d |
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|a 9780813561059
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|z 0813561043
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|z 9780813561042
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|z 0813561051
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|a (OCoLC)859537565
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|a MdBmJHUP
|c MdBmJHUP
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1 |
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|a Hagelin, Sarah.
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|a Reel Vulnerability :
|b Power, Pain, and Gender in Contemporary American Film and Television /
|c Sarah Hagelin.
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|a London :
|b Rutgers University Press,
|c [2013]
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264 |
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3 |
|a Baltimore, Md. :
|b Project MUSE,
|c 2013
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264 |
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|c ©[2013]
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300 |
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|a 1 online resource (226 pages):
|b illustrations
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336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Introduction : Unmaking vulnerability -- The cinematic construction of vulnerability. The Furies, The Men, and the method : Cinematic languages of vulnerability ; Victimized, violent and damned : Identification and radical vulnerability in The Deer Hunter, Full Metal Jacket, and Casualties of War -- Resistant vulnerability after the Cold War. The body at war : Sexual politics and resistant vulnerability in Saving Private Ryan and G.I. Jane ; Matthew Shepard's body and the politics of queer vulnerability in Boys Don't Cry and The Laramie Project -- Vulnerability beyond the body. The violated body after 9/11 : Torture and the legacy of vulnerability in 24 and Battlestar Galactica ; Vulnerability by proxy : Deadwood and the future of television form -- Afterword : Female power and Tarantino's Basterds.
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|a This book explores the way American popular culture thinks about vulnerability, arguing that our culture and our scholarship remain stubbornly invested in the myth of the helplessness of the female body. It examines the shifting constructions of vulnerability in the wake of the cultural upheavals of World War II, the Cold War, and 9/11, placing defenseless male bodies onscreen alongside representations of the female body in the military, in the interrogation room, and on the margins.
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588 |
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|a Description based on print version record.
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650 |
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7 |
|a Vulnerability (Personality trait) in motion pictures.
|2 fast
|0 (OCoLC)fst01905096
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650 |
|
7 |
|a Sex role in motion pictures.
|2 fast
|0 (OCoLC)fst01114654
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650 |
|
7 |
|a Power (Social sciences) in motion pictures.
|2 fast
|0 (OCoLC)fst01904333
|
650 |
|
7 |
|a Pain in motion pictures.
|2 fast
|0 (OCoLC)fst01904164
|
650 |
|
7 |
|a Motion pictures.
|2 fast
|0 (OCoLC)fst01027285
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650 |
|
7 |
|a PERFORMING ARTS
|x Film & Video
|x General.
|2 bisacsh
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650 |
|
7 |
|a PERFORMING ARTS
|x Reference.
|2 bisacsh
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650 |
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6 |
|a Cinema
|z États-Unis.
|
650 |
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6 |
|a Rôle selon le sexe au cinema.
|
650 |
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6 |
|a Douleur au cinema.
|
650 |
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6 |
|a Pouvoir (Sciences sociales) au cinema.
|
650 |
|
6 |
|a Vulnerabilite (Trait de personnalite) au cinema.
|
650 |
|
0 |
|a Motion pictures
|z United States.
|
650 |
|
0 |
|a Sex role in motion pictures.
|
650 |
|
0 |
|a Pain in motion pictures.
|
650 |
|
0 |
|a Power (Social sciences) in motion pictures.
|
650 |
|
0 |
|a Vulnerability (Personality trait) in motion pictures.
|
651 |
|
7 |
|a United States.
|2 fast
|0 (OCoLC)fst01204155
|
655 |
|
7 |
|a Electronic books.
|2 local
|
710 |
2 |
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|a Project Muse.
|e distributor
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830 |
|
0 |
|a Book collections on Project MUSE.
|
856 |
4 |
0 |
|z Texto completo
|u https://projectmuse.uam.elogim.com/book/26845/
|
945 |
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|a Project MUSE - Custom Collection
|
945 |
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|a Project MUSE - 2013 Film, Theater and Performing Arts
|
945 |
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|a Project MUSE - 2013 Complete
|