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131018s2007 inu o 00 0 eng d |
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|a 9780253013477
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|z 9780253218964
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|a (OCoLC)864855740
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|a MdBmJHUP
|c MdBmJHUP
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1 |
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|a Winold, Allen,
|e author.
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|a Bach's Cello Suites, Volumes 1 and 2 :
|b Analyses and Explorations /
|c Allen Winold.
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|a Bloomington :
|b Indiana University Press,
|c 2007.
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264 |
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|a Baltimore, Md. :
|b Project MUSE,
|c 2015
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|c ©2007.
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|a 1 online resource (280 pages).
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336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a v. 1. Text. Historical background ; The preludes ; The allemandes ; The courantes ; The sarabandes ; The optional movements ; The gigues; Summary and conclusions -- v. 2. Musical examples.
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|a J.S. Bach's Suites for Unaccompanied Cello are among the most cherished and frequently played works in the entire literature of music, and yet they have never been the subject of a full-length music analytical study. The musical examples herein include every note of all movements (so one needs no separate copy of the music while reading the book), and undertakes both basic analyses-harmonic reduction, functional harmonic analysis, step progression analysis, form analysis, and syntagmatic and paradigmatic melodic analysis-and specialized analyses for some of the individual movements. Allen.
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|a English.
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|a Description based on print version record.
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1 |
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|a Bach, Johann Sebastian,
|d 1685-1750.
|t Suites,
|m cello,
|n BWV 1007-1012.
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650 |
|
7 |
|a MUSIC
|x Genres & Styles
|x Classical.
|2 bisacsh
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650 |
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7 |
|a MUSIC
|x Musical Instruments
|x Strings.
|2 bisacsh
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650 |
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6 |
|a Suites (Violoncelle)
|x Analyse et appreciation.
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650 |
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|a Suites (Cello)
|x Analysis, appreciation.
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630 |
0 |
7 |
|a Suites (Bach, Johann Sebastian)
|2 fast
|0 (OCoLC)fst01359943
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655 |
|
7 |
|a Electronic books.
|2 local
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2 |
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|a Project Muse.
|e distributor
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830 |
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|a Book collections on Project MUSE.
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856 |
4 |
0 |
|z Texto completo
|u https://projectmuse.uam.elogim.com/book/26815/
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945 |
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|a Project MUSE - Custom Collection
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945 |
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|a Project MUSE - Archive Complete Supplement III
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945 |
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|a Project MUSE - Archive Film, Theater and Performing Arts Supplement III
|