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130924s2013 wiu o 00 0 eng d |
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|a 9780299296032
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|z 9780299296049
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|a (OCoLC)858861924
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|a MdBmJHUP
|c MdBmJHUP
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1 |
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|a March, Richard,
|d 1946-
|e author.
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|a The Tamburitza Tradition :
|b From the Balkans to the American Midwest /
|c Richard March.
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|a Madison, Wisconsin :
|b The University of Wisconsin Press,
|c 2013
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|a Baltimore, Md. :
|b Project MUSE,
|c 2013
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|c ©2013
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|a 1 online resource (325 pages).
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Languages and folklore of the Upper Midwest
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|a The Soloistic Tambura Comes to the Balkans -- A National Music and the Illyrian Movement -- The Tamburitza Matures and Migrates to America -- Ethnologists and the Politics of Folklore Festivals -- The Tamburitza Tradition Takes on American Ways -- The Soloistic Tambura -- Tamburitza Combos -- My Little (Global) Village -- Tamburitza Orchestras -- Folk Dance Groups.
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|a An introduction to a Balkan folk music that also thrives in communities throughout Europe, the Americas, and Australia. Tamburitza features acoustic stringed instruments, ranging in size from tamburas as small as a ukulele to ones as large as a bass viol. The author, a folklorist, documents the centuries-old origins and development of the tradition, including its intertwining with nationalist and ethnic symbolism. The music survived the complex politics of nineteenth-century Europe but remains a point of contention today. In Croatia, tamburitza is strongly associated with national identity and supported by an artistic and educational infrastructure. Serbia is proud of its outstanding performers and composers who have influenced tamburitza bands on four continents. In the United States, tamburitza was brought by Balkan immigrants in the nineteenth century and has become a flourishing American ethnic music with its own set of representational politics. Combining historical research with in-depth interviews and extensive participant-observer description, this book reveals a dynamic and expressive music tradition on both sides of the Atlantic and beyond, illuminating the cultures and societies from which it has emerged. -- Back cover.
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|a English.
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|a Description based on print version record.
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|a Tambura (Fretted lute) music.
|2 fast
|0 (OCoLC)fst01733410
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650 |
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7 |
|a Tambura (Fretted lute)
|2 fast
|0 (OCoLC)fst01733409
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650 |
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|a Folk music.
|2 fast
|0 (OCoLC)fst00929383
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650 |
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|a MUSIC
|x Musical Instruments
|x Strings.
|2 bisacsh
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650 |
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|a Tambura (Luth balkanais)
|z États-Unis.
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650 |
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6 |
|a Tambura (Luth balkanais)
|z Balkans.
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650 |
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6 |
|a Tambura (Luth balkanais)
|x Histoire.
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650 |
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0 |
|a Folk music
|z Middle West
|x History and criticism.
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650 |
|
0 |
|a Folk music
|z Balkan Peninsula
|x History and criticism.
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650 |
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0 |
|a Tambura (Fretted lute) music
|x History and criticism.
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650 |
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0 |
|a Tambura (Fretted lute)
|z United States.
|
650 |
|
0 |
|a Tambura (Fretted lute)
|z Balkan Peninsula.
|
650 |
|
0 |
|a Tambura (Fretted lute)
|x History.
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651 |
|
7 |
|a United States.
|2 fast
|0 (OCoLC)fst01204155
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651 |
|
7 |
|a Middle West.
|2 fast
|0 (OCoLC)fst01240052
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651 |
|
7 |
|a Balkan Peninsula.
|2 fast
|0 (OCoLC)fst01241484
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655 |
|
7 |
|a History.
|2 fast
|0 (OCoLC)fst01411628
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655 |
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7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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655 |
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|a Electronic books.
|2 local
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|a Project Muse.
|e distributor
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|a Book collections on Project MUSE.
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/26702/
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945 |
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|a Project MUSE - Custom Collection
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945 |
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|a Project MUSE - 2013 Russian and East European Studies
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945 |
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|a Project MUSE - 2013 Complete
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945 |
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|a Project MUSE - 2013 Global Cultural Studies
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