Making Samba : A New History of Race and Music in Brazil /

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In November 1916, a young Afro-Brazilian musician named Donga registered sheet music for the song "Pelo telefone" ("On the Telephone") at the National Library in Rio de Janeiro. This apparently simple act - claiming ownership of a musical composition - set in motion a series of e...

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Detalles Bibliográficos
Autor principal: Hertzman, Marc A.
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Durham : Duke University Press, 2013.
Colección:Book collections on Project MUSE.
Temas:
Samba
Blacks > Race identity > Brazil.
Music and race > Brazil > History.
Blacks > Brazil > Music.
Sambas > Social aspects > Brazil > History.
Sambas > Brazil > History and criticism.
Rassenfrage
Schwarze
Sambas.
Music and race.
Black people > Race identity.
Black people > Music.
Musique et race > Bresil > Histoire.
Sambas (Musique) > Aspect social > Bresil > Histoire.
Sambas (Musique) > Bresil > Histoire et critique.
Black people > Race identity > Brazil.
Black people > Brazil > Music > History.
Brasilien
Brazil.
Musique.
Music.
History.
Criticism, interpretation, etc.
Electronic books.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Between fascination and fear: musicians' worlds in nineteenth-century Rio de Janeiro
  • Beyond the punishment paradigm: popular entertainment and social control after abolition
  • Musicians outside the circle: race, wealth, and property in fred figner's music market
  • "Our music": "Pelo telefone" and the Oito batutas, and the rise of samba
  • Mediators and competitors: musicians, journalists, and the roda do samba
  • Bodies and minds: mapping Africa and Brazil during the golden age
  • Alliances and limits: the SBAT and the rise of the entertainment class
  • Everywhere and nowhere: the UBC and the consolidation of racial and gendered difference
  • After the golden age: reinvention and political change.

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