Cargando…

Making Samba : A New History of Race and Music in Brazil /

In November 1916, a young Afro-Brazilian musician named Donga registered sheet music for the song "Pelo telefone" ("On the Telephone") at the National Library in Rio de Janeiro. This apparently simple act - claiming ownership of a musical composition - set in motion a series of e...

Descripción completa

Detalles Bibliográficos
Autor principal: Hertzman, Marc A.
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Durham : Duke University Press, 2013.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

LEADER 00000cam a22000004a 4500
001 musev2_26482
003 MdBmJHUP
005 20230905042818.0
006 m o d
007 cr||||||||nn|n
008 121107s2013 ncu o 00 0 eng d
010 |z  2012044745 
020 |a 9780822391906 
020 |z 9780822354307 
020 |z 9780822354154 
035 |a (OCoLC)843533169 
040 |a MdBmJHUP  |c MdBmJHUP 
100 1 |a Hertzman, Marc A. 
245 1 0 |a Making Samba :   |b A New History of Race and Music in Brazil /   |c Marc A. Hertzman. 
264 1 |a Durham :  |b Duke University Press,  |c 2013. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2013 
264 4 |c ©2013. 
300 |a 1 online resource (388 pages):   |b illustrations ; 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
505 0 |a Between fascination and fear: musicians' worlds in nineteenth-century Rio de Janeiro -- Beyond the punishment paradigm: popular entertainment and social control after abolition -- Musicians outside the circle: race, wealth, and property in fred figner's music market -- "Our music": "Pelo telefone" and the Oito batutas, and the rise of samba -- Mediators and competitors: musicians, journalists, and the roda do samba -- Bodies and minds: mapping Africa and Brazil during the golden age -- Alliances and limits: the SBAT and the rise of the entertainment class -- Everywhere and nowhere: the UBC and the consolidation of racial and gendered difference -- After the golden age: reinvention and political change. 
520 |a In November 1916, a young Afro-Brazilian musician named Donga registered sheet music for the song "Pelo telefone" ("On the Telephone") at the National Library in Rio de Janeiro. This apparently simple act - claiming ownership of a musical composition - set in motion a series of events that would shake Brazil's cultural landscape. Before the debut of "Pelo telephone," samba was a somewhat obscure term, but by the late 1920s, the wildly popular song had helped to make it synonymous with Brazilian national music. The success of "Pelo telephone" embroiled Donga in controversy. A group of musicians claimed that he had stolen their work, and a prominent journalist accused him of selling out his people in pursuit of profit and fame. Within this single episode are many of the concerns that animate Making Samba, including intellectual property claims, the Brazilian state, popular music, race, gender, national identity, and the history of Afro-Brazilians in Rio de Janeiro. By tracing the careers of Rio's pioneering black musicians from the late nineteenth century until the 1970s, Marc A. Hertzman revises the histories of samba and of Brazilian national culture. -- Publisher's website 
588 |a Description based on print version record. 
650 7 |a Blacks  |x Race identity  |z Brazil.  |2 nli 
650 7 |a Music and race  |z Brazil  |x History.  |2 nli 
650 7 |a Blacks  |z Brazil  |v Music.  |2 nli 
650 7 |a Sambas  |x Social aspects  |z Brazil  |x History.  |2 nli 
650 7 |a Sambas  |z Brazil  |x History and criticism.  |2 nli 
650 7 |a Rassenfrage  |2 gnd 
650 7 |a Schwarze  |2 gnd 
650 7 |a Sambas.  |2 fast  |0 (OCoLC)fst01104535 
650 7 |a Music and race.  |2 fast  |0 (OCoLC)fst01030486 
650 7 |a Black people  |x Race identity.  |2 fast  |0 (OCoLC)fst00833987 
650 7 |a Black people  |x Music.  |2 fast  |0 (OCoLC)fst00833971 
650 6 |a Musique et race  |z Bresil  |x Histoire. 
650 6 |a Sambas (Musique)  |x Aspect social  |z Bresil  |x Histoire. 
650 6 |a Sambas (Musique)  |z Bresil  |x Histoire et critique. 
650 0 |a Black people  |x Race identity  |z Brazil. 
650 0 |a Music and race  |z Brazil  |x History. 
650 0 |a Black people  |z Brazil  |x Music  |x History. 
650 0 |a Sambas  |x Social aspects  |z Brazil  |x History. 
650 0 |a Sambas  |z Brazil  |x History and criticism. 
651 7 |a Brasilien  |2 gnd 
651 7 |a Brazil.  |2 fast  |0 (OCoLC)fst01206830 
630 0 7 |a Samba  |2 gnd 
655 7 |a Musique.  |2 rvmgf 
655 7 |a Music.  |2 lcgft 
655 7 |a Music.  |2 fast  |0 (OCoLC)fst01423855 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/26482/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2013 Latin American and Caribbean Studies 
945 |a Project MUSE - 2013 Complete 
945 |a Project MUSE - 2013 Global Cultural Studies