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121107s2013 ncu o 00 0 eng d |
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|z 2012044745
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|a 9780822391906
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|z 9780822354307
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|z 9780822354154
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|a (OCoLC)843533169
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|a MdBmJHUP
|c MdBmJHUP
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1 |
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|a Hertzman, Marc A.
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|a Making Samba :
|b A New History of Race and Music in Brazil /
|c Marc A. Hertzman.
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264 |
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|a Durham :
|b Duke University Press,
|c 2013.
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264 |
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3 |
|a Baltimore, Md. :
|b Project MUSE,
|c 2013
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264 |
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|c ©2013.
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300 |
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|a 1 online resource (388 pages):
|b illustrations ;
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Between fascination and fear: musicians' worlds in nineteenth-century Rio de Janeiro -- Beyond the punishment paradigm: popular entertainment and social control after abolition -- Musicians outside the circle: race, wealth, and property in fred figner's music market -- "Our music": "Pelo telefone" and the Oito batutas, and the rise of samba -- Mediators and competitors: musicians, journalists, and the roda do samba -- Bodies and minds: mapping Africa and Brazil during the golden age -- Alliances and limits: the SBAT and the rise of the entertainment class -- Everywhere and nowhere: the UBC and the consolidation of racial and gendered difference -- After the golden age: reinvention and political change.
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|a In November 1916, a young Afro-Brazilian musician named Donga registered sheet music for the song "Pelo telefone" ("On the Telephone") at the National Library in Rio de Janeiro. This apparently simple act - claiming ownership of a musical composition - set in motion a series of events that would shake Brazil's cultural landscape. Before the debut of "Pelo telephone," samba was a somewhat obscure term, but by the late 1920s, the wildly popular song had helped to make it synonymous with Brazilian national music. The success of "Pelo telephone" embroiled Donga in controversy. A group of musicians claimed that he had stolen their work, and a prominent journalist accused him of selling out his people in pursuit of profit and fame. Within this single episode are many of the concerns that animate Making Samba, including intellectual property claims, the Brazilian state, popular music, race, gender, national identity, and the history of Afro-Brazilians in Rio de Janeiro. By tracing the careers of Rio's pioneering black musicians from the late nineteenth century until the 1970s, Marc A. Hertzman revises the histories of samba and of Brazilian national culture. -- Publisher's website
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588 |
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|a Description based on print version record.
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650 |
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7 |
|a Blacks
|x Race identity
|z Brazil.
|2 nli
|
650 |
|
7 |
|a Music and race
|z Brazil
|x History.
|2 nli
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650 |
|
7 |
|a Blacks
|z Brazil
|v Music.
|2 nli
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650 |
|
7 |
|a Sambas
|x Social aspects
|z Brazil
|x History.
|2 nli
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650 |
|
7 |
|a Sambas
|z Brazil
|x History and criticism.
|2 nli
|
650 |
|
7 |
|a Rassenfrage
|2 gnd
|
650 |
|
7 |
|a Schwarze
|2 gnd
|
650 |
|
7 |
|a Sambas.
|2 fast
|0 (OCoLC)fst01104535
|
650 |
|
7 |
|a Music and race.
|2 fast
|0 (OCoLC)fst01030486
|
650 |
|
7 |
|a Black people
|x Race identity.
|2 fast
|0 (OCoLC)fst00833987
|
650 |
|
7 |
|a Black people
|x Music.
|2 fast
|0 (OCoLC)fst00833971
|
650 |
|
6 |
|a Musique et race
|z Bresil
|x Histoire.
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650 |
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6 |
|a Sambas (Musique)
|x Aspect social
|z Bresil
|x Histoire.
|
650 |
|
6 |
|a Sambas (Musique)
|z Bresil
|x Histoire et critique.
|
650 |
|
0 |
|a Black people
|x Race identity
|z Brazil.
|
650 |
|
0 |
|a Music and race
|z Brazil
|x History.
|
650 |
|
0 |
|a Black people
|z Brazil
|x Music
|x History.
|
650 |
|
0 |
|a Sambas
|x Social aspects
|z Brazil
|x History.
|
650 |
|
0 |
|a Sambas
|z Brazil
|x History and criticism.
|
651 |
|
7 |
|a Brasilien
|2 gnd
|
651 |
|
7 |
|a Brazil.
|2 fast
|0 (OCoLC)fst01206830
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630 |
0 |
7 |
|a Samba
|2 gnd
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655 |
|
7 |
|a Musique.
|2 rvmgf
|
655 |
|
7 |
|a Music.
|2 lcgft
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655 |
|
7 |
|a Music.
|2 fast
|0 (OCoLC)fst01423855
|
655 |
|
7 |
|a History.
|2 fast
|0 (OCoLC)fst01411628
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655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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655 |
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7 |
|a Electronic books.
|2 local
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710 |
2 |
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|a Project Muse.
|e distributor
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830 |
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0 |
|a Book collections on Project MUSE.
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856 |
4 |
0 |
|z Texto completo
|u https://projectmuse.uam.elogim.com/book/26482/
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945 |
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|a Project MUSE - Custom Collection
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945 |
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|a Project MUSE - 2013 Latin American and Caribbean Studies
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945 |
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|a Project MUSE - 2013 Complete
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945 |
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|a Project MUSE - 2013 Global Cultural Studies
|