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Buffoon Men : Classic Hollywood Comedians and Queered Masculinity /

Film scholars and fans have used distinctive terms to describe the Classic Hollywood comedian: he is a "trickster," a "rebel," or a "buffoon." Yet the performer is almost always described as a "he." In this book, the author reads the performances of notable co...

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Detalles Bibliográficos
Autor principal: Balcerzak, Scott (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Detroit, Michigan : Wayne State University Press, [2013]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Balcerzak, Scott,  |e author. 
245 1 0 |a Buffoon Men :   |b Classic Hollywood Comedians and Queered Masculinity /   |c Scott Balcerzak. 
264 1 |a Detroit, Michigan :  |b Wayne State University Press,  |c [2013] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2013 
264 4 |c ©[2013] 
300 |a 1 online resource (280 pages):   |b illustrations 
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490 0 |a Contemporary approaches to film and media series 
505 0 |a Introduction : "Someone like me for a member" : classic Hollywood comedians and buffoonish masculinity -- "Novelties and notions" : Mae West meets W.C. Fields -- Con men and henpecked husbands : W.C. Fields as masculine icon -- "Whitefacing" the nebbish : Eddie Cantor's assimilation and influence -- Queered radio/Queered cinema : Jack Benny's mediated voice -- Queering the fraternity : Laurel and Hardy and heterosexual brotherhood -- Military disservice : Wheeler and Woolsey and Abbott and Costello join the army -- Conclusion : Beyond classic Hollywood/Beyond buffoonish masculinity. 
520 |a Film scholars and fans have used distinctive terms to describe the Classic Hollywood comedian: he is a "trickster," a "rebel," or a "buffoon." Yet the performer is almost always described as a "he." In this book, the author reads the performances of notable comedians such as W.C. Fields, Eddie Cantor, Jack Benny, Stan Laurel and Oliver Hardy, Bert Wheeler and Robert Woolsey, and Bud Abbott and Lou Costello through humor and queer theory to expose a problematic history of maleness in their personas. He argues that contrary to popular notions of Classic Hollywood history, these male comedians rearranged or, at times, rejected heteronormative protocols. -- Publisher's website 
546 |a English. 
588 |a Description based on print version record. 
650 7 |a Queer theory.  |2 fast  |0 (OCoLC)fst01739572 
650 7 |a Motion pictures  |x Social aspects.  |2 fast  |0 (OCoLC)fst01027384 
650 7 |a Masculinity in motion pictures.  |2 fast  |0 (OCoLC)fst01011041 
650 7 |a Comedy films.  |2 fast  |0 (OCoLC)fst00869095 
650 7 |a PERFORMING ARTS  |x Reference.  |2 bisacsh 
650 6 |a Theorie queer. 
650 6 |a Masculinite au cinema. 
650 6 |a Cinema  |x Aspect social  |z États-Unis. 
650 6 |a Films comiques  |z États-Unis  |x Histoire et critique. 
650 0 |a Queer theory. 
650 0 |a Masculinity in motion pictures. 
650 0 |a Motion pictures  |x Social aspects  |z United States. 
650 0 |a Comedy films  |z United States  |x History and criticism. 
651 7 |a United States.  |2 fast  |0 (OCoLC)fst01204155 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/26310/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2013 Film, Theater and Performing Arts 
945 |a Project MUSE - 2013 Complete