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131204s2013 miu o 00 0 eng d |
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|a 9780814339664
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|z 9780814339657
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|a (OCoLC)864685869
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|a MdBmJHUP
|c MdBmJHUP
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1 |
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|a Balcerzak, Scott,
|e author.
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245 |
1 |
0 |
|a Buffoon Men :
|b Classic Hollywood Comedians and Queered Masculinity /
|c Scott Balcerzak.
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264 |
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1 |
|a Detroit, Michigan :
|b Wayne State University Press,
|c [2013]
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264 |
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3 |
|a Baltimore, Md. :
|b Project MUSE,
|c 2013
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264 |
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|c ©[2013]
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300 |
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|a 1 online resource (280 pages):
|b illustrations
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336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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490 |
0 |
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|a Contemporary approaches to film and media series
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|a Introduction : "Someone like me for a member" : classic Hollywood comedians and buffoonish masculinity -- "Novelties and notions" : Mae West meets W.C. Fields -- Con men and henpecked husbands : W.C. Fields as masculine icon -- "Whitefacing" the nebbish : Eddie Cantor's assimilation and influence -- Queered radio/Queered cinema : Jack Benny's mediated voice -- Queering the fraternity : Laurel and Hardy and heterosexual brotherhood -- Military disservice : Wheeler and Woolsey and Abbott and Costello join the army -- Conclusion : Beyond classic Hollywood/Beyond buffoonish masculinity.
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|a Film scholars and fans have used distinctive terms to describe the Classic Hollywood comedian: he is a "trickster," a "rebel," or a "buffoon." Yet the performer is almost always described as a "he." In this book, the author reads the performances of notable comedians such as W.C. Fields, Eddie Cantor, Jack Benny, Stan Laurel and Oliver Hardy, Bert Wheeler and Robert Woolsey, and Bud Abbott and Lou Costello through humor and queer theory to expose a problematic history of maleness in their personas. He argues that contrary to popular notions of Classic Hollywood history, these male comedians rearranged or, at times, rejected heteronormative protocols. -- Publisher's website
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546 |
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|a English.
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588 |
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|a Description based on print version record.
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650 |
|
7 |
|a Queer theory.
|2 fast
|0 (OCoLC)fst01739572
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650 |
|
7 |
|a Motion pictures
|x Social aspects.
|2 fast
|0 (OCoLC)fst01027384
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650 |
|
7 |
|a Masculinity in motion pictures.
|2 fast
|0 (OCoLC)fst01011041
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650 |
|
7 |
|a Comedy films.
|2 fast
|0 (OCoLC)fst00869095
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650 |
|
7 |
|a PERFORMING ARTS
|x Reference.
|2 bisacsh
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650 |
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6 |
|a Theorie queer.
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650 |
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6 |
|a Masculinite au cinema.
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650 |
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6 |
|a Cinema
|x Aspect social
|z États-Unis.
|
650 |
|
6 |
|a Films comiques
|z États-Unis
|x Histoire et critique.
|
650 |
|
0 |
|a Queer theory.
|
650 |
|
0 |
|a Masculinity in motion pictures.
|
650 |
|
0 |
|a Motion pictures
|x Social aspects
|z United States.
|
650 |
|
0 |
|a Comedy films
|z United States
|x History and criticism.
|
651 |
|
7 |
|a United States.
|2 fast
|0 (OCoLC)fst01204155
|
655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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655 |
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7 |
|a Electronic books.
|2 local
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710 |
2 |
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|a Project Muse.
|e distributor
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830 |
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0 |
|a Book collections on Project MUSE.
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856 |
4 |
0 |
|z Texto completo
|u https://projectmuse.uam.elogim.com/book/26310/
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945 |
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|a Project MUSE - Custom Collection
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945 |
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|a Project MUSE - 2013 Film, Theater and Performing Arts
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945 |
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|a Project MUSE - 2013 Complete
|