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130828s2013 mdu o 00 0 eng d |
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|a 9781421410609
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|z 9781421410593
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|a (OCoLC)857167626
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|a MdBmJHUP
|c MdBmJHUP
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100 |
1 |
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|a Hill, Edwin C.,
|d 1971-
|e author.
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1 |
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|a Black Soundscapes White Stages :
|b The Meaning of Francophone Sound in the Black Atlantic /
|c Edwin C. Hill Jr.
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|a Baltimore :
|b The Johns Hopkins University Press,
|c [2013]
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|a Baltimore, Md. :
|b Project MUSE,
|c 2013
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|c ©[2013]
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|a 1 online resource (192 pages).
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a The Callaloo African Diaspora Series
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|a Introduction : Le tumulte noir (pt. I) : French imperial soundscapes and the New World -- "Adieu Madras, adieu Foulard" : the Doudou's colonial complaint -- "To begin the Biguine" : remembering Antillean musical time -- La Baker : Princesse Tam Tam and the Doudou's signature dilemma -- Negritude drum circles : the Tam-Tam and the beat -- Le poste colonial : short-wave colonial radio and the Negritude's poetic technologies -- Conclusion : Notes from the sound field.
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|a A look at the dynamic role of sound in the culture of the African Diaspora as found in poetry, film, travel narratives, and popular music. This book explores the role of sound in understanding the African Diaspora on both sides of the Atlantic, from the City of Light to the islands of the French Antilles. From the writings of European travelers in the seventeenth century to short-wave radio transmissions in the early twentieth century, the author uses music, folk song, film, and poetry to listen for the tragic cri nègre. Building a conceptualization of Black Atlantic sound inspired by Frantz Fanon's pioneering work on colonial speech and desire, the author contends that sound constitutes a terrain of contestation, both violent and pleasurable, where colonial and anti-colonial ideas about race and gender are critically imagined, inscribed, explored, and resisted.
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546 |
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|a English.
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588 |
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|a Description based on print version record.
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650 |
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7 |
|a West Indian literature (French)
|2 fast
|0 (OCoLC)fst01173940
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650 |
|
7 |
|a Soundscapes (Music)
|2 fast
|0 (OCoLC)fst01127108
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650 |
|
7 |
|a Sound (Philosophy)
|2 fast
|0 (OCoLC)fst01762200
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650 |
|
7 |
|a Negritude (Literary movement)
|2 fast
|0 (OCoLC)fst01035590
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650 |
|
7 |
|a Colonization.
|2 fast
|0 (OCoLC)fst00868483
|
650 |
|
7 |
|a Black people.
|2 fast
|0 (OCoLC)fst00833880
|
650 |
|
7 |
|a Beguines (Music)
|2 fast
|0 (OCoLC)fst00829896
|
650 |
|
7 |
|a African diaspora in literature.
|2 fast
|0 (OCoLC)fst01902319
|
650 |
|
7 |
|a LITERARY CRITICISM
|x European
|x French.
|2 bisacsh
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650 |
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6 |
|a Paysages sonores (Musique)
|z Antilles françaises.
|
650 |
|
6 |
|a Negritude.
|
650 |
|
6 |
|a Biguines (Musique)
|z Antilles françaises
|x Histoire.
|
650 |
|
6 |
|a Africains
|z Pays etrangers, dans la litterature.
|
650 |
|
6 |
|a Son (Philosophie)
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650 |
|
6 |
|a Litterature antillaise (française)
|x Histoire et critique.
|
650 |
|
0 |
|a Poetics
|x Language.
|
650 |
|
0 |
|a Soundscapes (Music)
|z West Indies, French.
|
650 |
|
0 |
|a Negritude (Literary movement)
|
650 |
|
0 |
|a Beguines (Music)
|z West Indies, French
|x History.
|
650 |
|
0 |
|a Black people
|z West Indies, French
|v Music
|x History.
|
650 |
|
0 |
|a African diaspora in literature.
|
650 |
|
0 |
|a Sound (Philosophy)
|
650 |
|
0 |
|a West Indian literature (French)
|x History and criticism.
|
651 |
|
7 |
|a Lesser Antilles
|z West Indies, French.
|2 fast
|0 (OCoLC)fst01243267
|
651 |
|
6 |
|a Antilles françaises
|x Colonisation.
|
651 |
|
0 |
|a West Indies, French
|x Colonization.
|
655 |
|
7 |
|a History.
|2 fast
|0 (OCoLC)fst01411628
|
655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
|
655 |
|
7 |
|a Electronic books.
|2 local
|
710 |
2 |
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|a Project Muse.
|e distributor
|
830 |
|
0 |
|a Book collections on Project MUSE.
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856 |
4 |
0 |
|z Texto completo
|u https://projectmuse.uam.elogim.com/book/26260/
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945 |
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|a Project MUSE - Custom Collection
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945 |
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|a Project MUSE - 2013 Literature
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945 |
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|a Project MUSE - 2013 Complete
|