Cargando…
Killer Tapes and Shattered Screens : Video Spectatorship From VHS to File Sharing /
Since the mid-1980s, US audiences have watched the majority of movies they see on a video platform, be it VHS, DVD, Blu-ray, Video On Demand, or streaming media. Annual video revenues have exceeded box office returns for over twenty-five years. In short, video has become the structuring discourse of...
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Berkeley :
University of California Press,
2013.
|
| Colección: | Book collections on Project MUSE.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a22000004a 4500 | ||
|---|---|---|---|
| 001 | musev2_26202 | ||
| 003 | MdBmJHUP | ||
| 005 | 20230905042801.0 | ||
| 006 | m o d | ||
| 007 | cr||||||||nn|n | ||
| 008 | 130329s2013 cau o 00 0 eng d | ||
| 020 | |a 9780520954496 | ||
| 020 | |z 9780520275126 | ||
| 035 | |a (OCoLC)867121990 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Benson-Allott, Caetlin Anne, |e author. | |
| 245 | 1 | 0 | |a Killer Tapes and Shattered Screens : |b Video Spectatorship From VHS to File Sharing / |c Caetlin Benson-Allott. |
| 264 | 1 | |a Berkeley : |b University of California Press, |c 2013. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2013 | |
| 264 | 4 | |c ©2013. | |
| 300 | |a 1 online resource (312 pages): |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a Introduction: opening up to home video -- Distributing The dead: George A. Romero and the evolution of the video spectator -- Addressing the "new flesh": videodrome's format war -- Reprotechnophobia: putting an end to analog abjection with the ring -- Going, going, grindhouse: simulacral cinematicity and post-cinematic spectatorship -- Paranormal spectatorship: faux footage horror and the P2P spectator -- Conclusion: power play. | |
| 520 | |a Since the mid-1980s, US audiences have watched the majority of movies they see on a video platform, be it VHS, DVD, Blu-ray, Video On Demand, or streaming media. Annual video revenues have exceeded box office returns for over twenty-five years. In short, video has become the structuring discourse of US movie culture. Killer Tapes and Shattered Screens examines how prerecorded video reframes the premises and promises of motion picture spectatorship. But instead of offering a history of video technology or reception, Caetlin Benson-Allott analyzes how the movies themselves understand and. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Video recordings |x Production and direction |x Data processing |2 fast |0 (OCoLC)fst01166500 | |
| 650 | 7 | |a Video recordings industry |2 fast |0 (OCoLC)fst01166514 | |
| 650 | 7 | |a Technology in motion pictures |2 fast |0 (OCoLC)fst01145293 | |
| 650 | 7 | |a Motion picture audiences |2 fast |0 (OCoLC)fst01027116 | |
| 650 | 7 | |a Horror films |2 fast |0 (OCoLC)fst00960370 | |
| 650 | 7 | |a Cinematography |x Technological innovations |2 fast |0 (OCoLC)fst00861516 | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x General. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Reference. |2 bisacsh | |
| 650 | 7 | |a ART |x Film & Video. |2 bisacsh | |
| 650 | 6 | |a Video |x Industrie. | |
| 650 | 6 | |a Video |x Production et realisation |x Informatique. | |
| 650 | 6 | |a Cinema |x Publics. | |
| 650 | 6 | |a Films d'horreur |x Histoire et critique. | |
| 650 | 6 | |a Cinema |x Innovations. | |
| 650 | 6 | |a Technologie au cinema. | |
| 650 | 0 | |a Video recordings industry. | |
| 650 | 0 | |a Digital video |x Production and direction |x Data processing. | |
| 650 | 0 | |a Video recordings |x Production and direction |x Data processing. | |
| 650 | 0 | |a Motion picture audiences. | |
| 650 | 0 | |a Horror films |x History and criticism. | |
| 650 | 0 | |a Cinematography |x Technological innovations. | |
| 650 | 0 | |a Technology in motion pictures. | |
| 655 | 7 | |a Films. |2 rvmgf | |
| 655 | 7 | |a Motion pictures. |2 lcgft | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a Motion pictures. |2 fast |0 (OCoLC)fst01726252 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/26202/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - 2013 Film, Theater and Performing Arts | ||
| 945 | |a Project MUSE - 2013 Complete | ||