Cargando…

Visions of Japanese Modernity : Articulations of Cinema, Nation, and Spectatorship, 1895-1925

"Visions of Japanese Modernity is the single best account of the formation of Japanese cinema. Deftly drawing on film discourses, regulations, and exhibition practices, it brilliantly brings into focus one of the most exuberant and contested moments in the history of cinema. It not only sets ne...

Descripción completa

Detalles Bibliográficos
Autor principal: Gerow, Aaron Andrew
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Berkeley : University of California Press, 2010.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

LEADER 00000cam a22000004a 4500
001 musev2_26065
003 MdBmJHUP
005 20230905042752.0
006 m o d
007 cr||||||||nn|n
008 100712s2010 cau o 00 0 eng d
010 |z  2009030995 
020 |a 9780520945593 
020 |z 9780520254565 
035 |a (OCoLC)649914405 
040 |a MdBmJHUP  |c MdBmJHUP 
100 1 |a Gerow, Aaron Andrew. 
245 1 0 |a Visions of Japanese Modernity :   |b Articulations of Cinema, Nation, and Spectatorship, 1895-1925 
264 1 |a Berkeley :  |b University of California Press,  |c 2010. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2014 
264 4 |c ©2010. 
300 |a 1 online resource (344 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
505 0 |a Visions of Japanese Modernity; Contents; List of Illustrations; Acknowledgments; Introduction; 1. The Motion Pictures as a Problem; 2. Gonda Yasunosuke and the Promise of Film Study; 3. Studying the Pure Film; 4. The Subject of the Text: Benshi, Authors, and Industry; 5. Managing the Internal; Conclusion: Mixture, Hegemony, and Resistance; Notes; Selected Bibliography; Index. 
520 |a "Visions of Japanese Modernity is the single best account of the formation of Japanese cinema. Deftly drawing on film discourses, regulations, and exhibition practices, it brilliantly brings into focus one of the most exuberant and contested moments in the history of cinema. It not only sets new standards for film history but also plants the seeds for a counterhistory to cinema as such."Thomas LaMarre, author of The Anime Machine: A Media Theory of Animation "In this landmark study, Aaron Gerow richly demonstrates the vibrancy of Japanese film culture as no book has done befor. 
546 |a English. 
588 |a Description based on print version record. 
650 7 |a Motion pictures.  |2 fast  |0 (OCoLC)fst01027285 
650 7 |a PERFORMING ARTS  |x Film & Video  |x General.  |2 bisacsh 
650 7 |a PERFORMING ARTS  |x Film & Video  |x Reference.  |2 bisacsh 
650 7 |a ART  |x Film & Video.  |2 bisacsh 
650 6 |a Cinema  |z Japon  |x Histoire  |y 20e siecle. 
650 6 |a Cinema  |z Japon  |x Histoire  |y 19e siecle. 
650 0 |a Motion pictures  |z Japan  |x History  |y 20th century. 
650 0 |a Motion pictures  |z Japan  |x History  |y 19th century. 
651 7 |a Japan.  |2 fast  |0 (OCoLC)fst01204082 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/26065/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - Archive Complete Supplement II 
945 |a Project MUSE - Archive Film, Theater and Performing Arts Supplement II 
945 |a Project MUSE - Archive Asian and Pacific Studies Supplement