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The Persistence of Sentiment : Display and Feeling in Popular Music of the 1970s /
How can we account for the persistent appeal of glossy commercial pop music? Why do certain performers have such emotional power, even though their music is considered vulgar or second rate? The author gives a critical account of a group of American popular music performers who have dedicated fan ba...
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Berkerley :
University of California Press,
2013.
|
| Colección: | Book collections on Project MUSE.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 005 | 20230905042751.0 | ||
| 006 | m o d | ||
| 007 | cr||||||||nn|n | ||
| 008 | 130406s2013 cau o 00 0 eng d | ||
| 020 | |a 9780520955059 | ||
| 020 | |z 9780520242852 | ||
| 035 | |a (OCoLC)867741080 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Morris, Mitchell, |d 1961- | |
| 245 | 1 | 4 | |a The Persistence of Sentiment : |b Display and Feeling in Popular Music of the 1970s / |c Mitchell Morris. |
| 264 | 1 | |a Berkerley : |b University of California Press, |c 2013. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2013 | |
| 264 | 4 | |c ©2013. | |
| 300 | |a 1 online resource (264 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a Introduction -- Black masculinity and the sound of wealth : Barry White in the early 1970s -- Transport and interiority in soft soul -- The audience and Barry Manilow -- The voice of Karen Carpenter -- Cher's "dark ladies" : Showbiz liberation -- Crossing over with Dolly Parton. | |
| 520 | |a How can we account for the persistent appeal of glossy commercial pop music? Why do certain performers have such emotional power, even though their music is considered vulgar or second rate? The author gives a critical account of a group of American popular music performers who have dedicated fan bases and considerable commercial success despite the critical disdain they have endured. This book examines the specific musical features of some exemplary pop songs and draws attention to the social contexts that contributed to their popularity. | ||
| 546 | |a English. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Singers. |2 fast |0 (OCoLC)fst01119301 | |
| 650 | 7 | |a Popular music. |2 fast |0 (OCoLC)fst01071422 | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Pop Vocal. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x Theory. |2 bisacsh | |
| 650 | 6 | |a Chanteurs |z États-Unis. | |
| 650 | 6 | |a Musique populaire |z États-Unis |y 1971-1980 |x Histoire et critique. | |
| 650 | 0 | |a Singers |z United States. | |
| 650 | 0 | |a Popular music |z United States |y 1971-1980 |x History and criticism. | |
| 651 | 7 | |a United States. |2 fast |0 (OCoLC)fst01204155 | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/26035/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - 2013 Complete | ||
| 945 | |a Project MUSE - 2013 Global Cultural Studies | ||