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Desire and Pleasure in Seventeenth-Century Music /
In this book, Susan McClary examines the mechanisms through which seventeenth-century musicians simulated extreme affective states-desire, divine rapture, and ecstatic pleasure. She demonstrates how every major genre of the period, from opera to religious music to instrumental pieces based on dances...
| Autor principal: | |
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Berkeley :
University of California Press,
2012.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 008 | 120209s2012 cau o 00 0 eng d | ||
| 020 | |a 9780520952065 | ||
| 020 | |z 9780520247345 | ||
| 035 | |a (OCoLC)775871185 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a McClary, Susan, |e author. | |
| 245 | 1 | 0 | |a Desire and Pleasure in Seventeenth-Century Music / |c Susan McClary. |
| 264 | 1 | |a Berkeley : |b University of California Press, |c 2012. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2014 | |
| 264 | 4 | |c ©2012. | |
| 300 | |a 1 online resource (360 pages): |b illustrations, music | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a Cover; Title; Copyright; Contents; Acknowledgments; Prelude: The Music of Pleasure and Desire; Part I. The Hydraulics of Musical Desire; 1. The Expansion Principle; 2. Composites, or the Still-Divided Subject; Part II. Gendering Voice; 3. Soprano as Fetish: Professional Singers in Early Modern Italy; 4. Gender Ambiguities and Erotic Excess in the Operas of Cavalli; Part III. Divine Love; 5. Libidinous Theology; 6. Straining Belief: The Toccata; Part IV. Dancing Bodies; 7. The Social History of a Groove: Chacona, Ciaccona, Chaconne, and the Chaconne. | |
| 520 | |a In this book, Susan McClary examines the mechanisms through which seventeenth-century musicians simulated extreme affective states-desire, divine rapture, and ecstatic pleasure. She demonstrates how every major genre of the period, from opera to religious music to instrumental pieces based on dances, was part of this striving for heightened passions by performers and listeners. While she analyzes the social and historical reasons for the high value placed on expressive intensity in both secular and sacred music, and she also links desire and pleasure to the many technical innovations of the ... | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Music |2 fast |0 (OCoLC)fst01030269 | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Classical. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x History & Criticism. |2 bisacsh | |
| 650 | 6 | |a Musique |y 17e siecle |x Histoire et critique. | |
| 650 | 0 | |a Music |y 17th century |x History and criticism. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/25989/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - 2012 Film, Theater and Performing Arts Supplement | ||
| 945 | |a Project MUSE - 2012 Complete Supplement II | ||