Cargando…

Repeating Ourselves : American Minimal Music as Cultural Practice /

Where did musical minimalism come from--and what does it mean? In this significant revisionist account of minimalist music, Robert Fink connects repetitive music to the postwar evolution of an American mass consumer society. Abandoning the ingrained formalism of minimalist aesthetics, Repeating Ours...

Descripción completa

Detalles Bibliográficos
Autor principal: Fink, Robert Wallace, 1961- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Berkeley : University of California Press, 2005.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

LEADER 00000cam a22000004a 4500
001 musev2_25967
003 MdBmJHUP
005 20230905042747.0
006 m o d
007 cr||||||||nn|n
008 050929s2005 cau o 00 0 eng d
020 |a 9780520938946 
020 |z 9780520245501 
035 |a (OCoLC)61730530 
040 |a MdBmJHUP  |c MdBmJHUP 
100 1 |a Fink, Robert Wallace,  |d 1961-  |e author. 
245 1 0 |a Repeating Ourselves :   |b American Minimal Music as Cultural Practice /   |c Robert Fink. 
264 1 |a Berkeley :  |b University of California Press,  |c 2005. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2014 
264 4 |c ©2005. 
300 |a 1 online resource (296 pages):   |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
505 0 |a The culture of eros : repetition as desire creation -- Do it ('til you're satisfied) : repetitive musics and recombinant desires -- "A colorful installment in the twentieth-century drama of consumer subjectivity" : minimalism and the phenomenology of consumer desire -- The media sublime : minimalism, advertising, and television -- The culture of Thanatos : repetition as mood regulation -- "A pox on Manfredini" : the long-playing record, the baroque revival, and the birth of ambient music -- "I did this exercise 100,000 times" : zen, minimalism, and the Suzuki method. 
520 |a Where did musical minimalism come from--and what does it mean? In this significant revisionist account of minimalist music, Robert Fink connects repetitive music to the postwar evolution of an American mass consumer society. Abandoning the ingrained formalism of minimalist aesthetics, Repeating Ourselves considers the cultural significance of American repetitive music exemplified by composers such as Terry Riley, Steve Reich, and Philip Glass. Fink juxtaposes repetitive minimal music with 1970s disco; assesses it in relation to the selling structure of mass-media advertising campaigns; traces it back to the innovations in hi-fi technology that turned baroque concertos into ambient "easy listening"; and appraises its meditative kinship to the spiritual path of musical mastery offered by Japan's Suzuki Method of Talent Education. 
546 |a English. 
588 |a Description based on print version record. 
650 7 |a Music  |x Social aspects.  |2 fast  |0 (OCoLC)fst01030444 
650 7 |a Minimal music.  |2 fast  |0 (OCoLC)fst01022845 
650 7 |a MUSIC  |x General.  |2 bisacsh 
650 7 |a MUSIC  |x Instruction & Study  |x Composition.  |2 bisacsh 
650 6 |a Musique  |x Aspect social. 
650 6 |a Musique repetitive  |x Histoire et critique. 
650 0 |a Music  |x Social aspects. 
650 0 |a Minimal music  |x History and criticism. 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/25967/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - Archive Complete Supplement II 
945 |a Project MUSE - Archive Film, Theater and Performing Arts Supplement II