|
|
|
|
LEADER |
00000cam a22000004a 4500 |
001 |
musev2_2595 |
003 |
MdBmJHUP |
005 |
20230905040336.0 |
006 |
m o d |
007 |
cr||||||||nn|n |
008 |
100813s2011 nyu o 00 0 eng d |
010 |
|
|
|z 2010032064
|
020 |
|
|
|a 9781438436302
|
020 |
|
|
|z 1438436297
|
020 |
|
|
|z 9781438436296
|
020 |
|
|
|z 1438436300
|
035 |
|
|
|a (OCoLC)756501398
|
040 |
|
|
|a MdBmJHUP
|c MdBmJHUP
|
043 |
|
|
|a n-us---
|
050 |
0 |
4 |
|a HV6457
|b .L54 2011
|
082 |
0 |
|
|a 364.1/34
|2 22
|
100 |
1 |
|
|a Lightweis-Goff, Jennie.
|
245 |
1 |
0 |
|a Blood at the Root :
|b Lynching as American Cultural Nucleus /
|c Jennie Lightweis-Goff.
|
264 |
|
1 |
|a Albany :
|b State University of New York Press,
|c 2011.
|
264 |
|
3 |
|a Baltimore, Md. :
|b Project MUSE,
|c 2012
|
264 |
|
4 |
|c ©2011.
|
300 |
|
|
|a 1 online resource (256 pages).
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
504 |
|
|
|a Includes bibliographical references and index.
|
505 |
0 |
|
|a Self and state : lynching's intimate violence -- "America is Mississippi now" : the portable South and the exile of Richard Wright -- Beneath the skin : George Schuyler and the Fantasy of race -- "Peaceful and unfathomable and unbearable eyes" : William Faulkner's Elisions of witness -- The lynched woman : Kara Walker, Laura Nelson, and the question of agency -- Vacant lots : public memory and the practice of forgetting.
|
588 |
|
|
|a Description based on print version record.
|
650 |
|
0 |
|a Race relations in literature.
|
650 |
|
0 |
|a Lynching
|z United States
|x History.
|
651 |
|
0 |
|a United States
|x Race relations.
|
655 |
|
7 |
|a Electronic books.
|2 local
|
710 |
2 |
|
|a Project Muse.
|e distributor
|
830 |
|
0 |
|a Book collections on Project MUSE.
|
856 |
4 |
0 |
|z Texto completo
|u https://projectmuse.uam.elogim.com/book/2595/
|
945 |
|
|
|a Project MUSE - Custom Collection
|
945 |
|
|
|a Project MUSE - 2011 American Studies
|
945 |
|
|
|a Project MUSE - 2011 Complete
|
945 |
|
|
|a Project MUSE - 2011 Global Cultural Studies
|