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Experimentalism Otherwise : The New York Avant-Garde and Its Limits /
In Experimental Otherwise, Benjamin Piekut takes the reader into the heart of what we mean by "experimental" in avant-garde music. Focusing on one place and time-New York City, 1964-Piekut examines five disparate events: the New York Philharmonic's disastrous performance of John Cage&...
| Autor principal: | |
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Berkeley, Calif. :
University of California Press,
2011.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Piekut, Benjamin, |d 1975- | |
| 245 | 1 | 0 | |a Experimentalism Otherwise : |b The New York Avant-Garde and Its Limits / |c Benjamin Piekut. |
| 264 | 1 | |a Berkeley, Calif. : |b University of California Press, |c 2011. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2014 | |
| 264 | 4 | |c ©2011. | |
| 300 | |a 1 online resource (296 pages): |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a California studies in 20th-century music ; |v 11 | |
| 505 | 0 | |a When orchestras attack! : John Cage meets the New York Philharmonic -- Demolish serious culture! : Henry Flynt meets the New York avant-garde -- October or thermidor? : the Jazz Composers Guild meets New York -- Murder by cello : Charlotte Moorman meets John Cage. | |
| 520 | |a In Experimental Otherwise, Benjamin Piekut takes the reader into the heart of what we mean by "experimental" in avant-garde music. Focusing on one place and time-New York City, 1964-Piekut examines five disparate events: the New York Philharmonic's disastrous performance of John Cage's Atlas Eclipticalis; Henry Flynt's demonstrations against the downtown avant-garde; Charlotte Moorman's Avant Garde Festival; the founding of the Jazz Composers Guild; and the emergence of Iggy Pop. Drawing together a colorful array of personalities, Piekut argues that each of these examples points to a failure and marks a limit or boundary of canonical experimentalism. What emerges from these marginal moments is an accurate picture of the avant-garde, not as a style or genre, but as a network defined by disagreements, struggles, and exclusions | ||
| 546 | |a English. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Music |2 fast |0 (OCoLC)fst01030269 | |
| 650 | 7 | |a Avant-garde (Music) |2 fast |0 (OCoLC)fst00824287 | |
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| 650 | 7 | |a MUSIC |x History & Criticism. |2 bisacsh | |
| 650 | 6 | |a Musique experimentale |z New York (État) |z New York. | |
| 650 | 0 | |a Avant-garde (Music) |z New York (State) |z New York. | |
| 650 | 0 | |a Music |z New York (State) |z New York |y 20th century |x History and criticism. | |
| 651 | 7 | |a New York (State) |z New York. |2 fast |0 (OCoLC)fst01204333 | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
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| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/25931/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - Archive Complete Supplement II | ||
| 945 | |a Project MUSE - Archive US Regional Studies, New England and Mid Atlantic Supplement II | ||