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Mozart and Enlightenment Semiotics
In this groundbreaking, historically-informed semiotic study of late eighteenth-century music, Stephen Rumph focuses on Mozart to explore musical meaning within the context of Enlightenment sign and language theory. Illuminating his discussion with French, British, German, and Italian writings on si...
| Autor principal: | |
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Berkeley :
University of California Press,
2011.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 007 | cr||||||||nn|n | ||
| 008 | 120130s2011 cau o 00 0 eng d | ||
| 020 | |a 9780520950115 | ||
| 020 | |z 9780520260863 | ||
| 035 | |a (OCoLC)785073234 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Rumph, Stephen. | |
| 245 | 1 | 0 | |a Mozart and Enlightenment Semiotics |
| 264 | 1 | |a Berkeley : |b University of California Press, |c 2011. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2014 | |
| 264 | 4 | |c ©2011. | |
| 300 | |a 1 online resource (286 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a Cover; Mozart and Enlightenment Semiotics; Title; Copyright; Dedication; Epiograph; Contents; List of Music Examples; Acknowledgments; Introduction; 1. From Rhetoric to Semiotics; 2. The Sense of Touch in Don Giovanni; 3. Topics in Context; 4. Mozart and Marxism; 5. A Dubious Credo; 6. Archaic Endings; Epilogue; Notes; Bibliography; Index. | |
| 520 | |a In this groundbreaking, historically-informed semiotic study of late eighteenth-century music, Stephen Rumph focuses on Mozart to explore musical meaning within the context of Enlightenment sign and language theory. Illuminating his discussion with French, British, German, and Italian writings on signs and language, Rumph analyzes movements from Mozart's symphonies, concertos, operas, and church music. He argues that Mozartian semiosis is best understood within the empiricist tradition of Condillac, Vico, Herder, or Adam Smith, which emphasized the constitutive role of signs within human cogni. | ||
| 588 | |a Description based on print version record. | ||
| 600 | 1 | 7 | |a Mozart, Wolfgang Amadeus, |d 1756-1791. |2 fast |0 (OCoLC)fst00050702 |
| 600 | 1 | 0 | |a Mozart, Wolfgang Amadeus, |d 1756-1791 |x Criticism and interpretation. |
| 650 | 7 | |a Semiotik |2 gnd | |
| 650 | 7 | |a Aufklärung |2 gnd | |
| 650 | 7 | |a Musik |2 gnd | |
| 650 | 7 | |a Music |x Semiotics. |2 fast |0 (OCoLC)fst01030442 | |
| 650 | 7 | |a Music. |2 fast |0 (OCoLC)fst01030269 | |
| 650 | 7 | |a Enlightenment. |2 fast |0 (OCoLC)fst00912527 | |
| 650 | 7 | |a MUSIC |x Individual Composer & Musician. |2 bisacsh | |
| 650 | 7 | |a BIOGRAPHY & AUTOBIOGRAPHY |x Composers & Musicians. |2 bisacsh | |
| 650 | 7 | |a Enlightenment (18th-century western movement) |2 aat | |
| 650 | 6 | |a Siecle des Lumieres. | |
| 650 | 6 | |a Semiotique et musique. | |
| 650 | 6 | |a Musique |y 18e siecle |x Histoire et critique. | |
| 650 | 0 | |a Enlightenment. | |
| 650 | 0 | |a Music |x Semiotics. | |
| 650 | 0 | |a Music |y 18th century |x History and criticism. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/25846/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - Archive Complete Supplement II | ||
| 945 | |a Project MUSE - Archive Film, Theater and Performing Arts Supplement II | ||