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Luigi Russolo, Futurist : Noise, Visual Arts, and the Occult /

Luigi Russolo (1885-1947)--painter, composer, builder of musical instruments, and first-hour member of the Italian Futurist movement--was a crucial figure in the evolution of twentieth-century aesthetics. As creator of the first systematic poetics of noise and inventor of what has been considered th...

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Detalles Bibliográficos
Autor principal: Chessa, Luciano, 1971- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Berkeley : University of California Press, 2012.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Chessa, Luciano,  |d 1971-  |e author. 
245 1 0 |a Luigi Russolo, Futurist :   |b Noise, Visual Arts, and the Occult /   |c Luciano Chessa. 
264 1 |a Berkeley :  |b University of California Press,  |c 2012. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2014 
264 4 |c ©2012. 
300 |a 1 online resource (296 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
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505 0 |a PART ONE. Luigi Russolo from the Formative Years to 1913; 1. Futurism as a Metaphysical Science; 2. Occult Futurism; 3. Spotlight on Russolo; 4. Painting Noise: La musica; 5. Russolo and Synesthesia; 6. Russolo's Metaphysics; PART TWO. The Art of Noises and the Occult; 7. Intonarumori Unveiled; 8. The Spirali di Rumori; 9. The Arte dei "Romori"; 10. Controversial Leonardo; 11. Third Level; Conclusion: Materialist Futurism?; Notes. 
520 |a Luigi Russolo (1885-1947)--painter, composer, builder of musical instruments, and first-hour member of the Italian Futurist movement--was a crucial figure in the evolution of twentieth-century aesthetics. As creator of the first systematic poetics of noise and inventor of what has been considered the first mechanical sound synthesizer, Russolo looms large in the development of twentieth-century music. In the first English language study of Russolo, Luciano Chessa emphasizes the futurist's interest in the occult, showing it to be a leitmotif for his life and a foundation for his art of noises. Chessa shows that Russolo's aesthetics of noise, and the machines he called the intonarumori, were intended to boost practitioners into higher states of spiritual consciousness. His analysis reveals a multifaceted man in whom the drive to keep up with the latest scientific trends coexisted with an embrace of the irrational, and a critique of materialism and positivism. 
546 |a English. 
588 |a Description based on print version record. 
600 1 7 |a Russolo, Luigi.  |2 fast  |0 (OCoLC)fst00051363 
600 1 0 |a Russolo, Luigi  |x Criticism and interpretation. 
650 7 |a Futurism (Music)  |2 fast  |0 (OCoLC)fst00936790 
650 7 |a BIOGRAPHY & AUTOBIOGRAPHY  |x Composers & Musicians.  |2 bisacsh 
650 7 |a BIOGRAPHY & AUTOBIOGRAPHY  |x Artists, Architects, Photographers.  |2 bisacsh 
650 6 |a Futurisme (Musique) 
650 0 |a Futurism (Music) 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
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945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2012 Film, Theater and Performing Arts Supplement 
945 |a Project MUSE - 2012 Complete Supplement II