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Proof through the Night : Music and the Great War /
Watkins's narrative argues that 20th-century Modernism was not launched full force with the advent of the Great War but rather was challenged by a new set of alternatives to the prewar avant-garde.
| Autor principal: | |
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Berkeley :
University of California Press,
2003.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- List of CD contents: p. 597-598.
- List of illustrations
- Acknowledgments
- Introduction
- Prologue
- ch. 1. In search of kultur
- Great Britain
- ch. 2. Pomp and circumstance
- ch. 3. The old lie
- ch. 4. The symphony of the front
- France
- ch. 5. Mobilization and the call to history
- ch. 6. War and the children
- ch. 7. War games, 1914-1915
- ch. 8. Charades and masquerades
- ch. 9. Church, state, and schola
- ch. 10. Neoclassicism, aviation, and the Great War
- Italy
- ch. 11. The world of the future, the future of the world
- Germany-Austria
- ch. 12. "Dance of death"
- ch. 13. "The last days of mankind"
- The United States of America
- ch. 14. "The Yanks are coming"
- ch. 15. "Onward Christian soldiers"
- ch. 16. The 100% American
- ch. 17. "Proof through the night"
- ch. 18. "On patrol in no man's land"
- ch. 19. Coming of age in America
- Post-Armistice
- ch. 20. "Goin' home"
- ch. 21. Ceremonials and the war of nerves
- ch. 22. The persistence of memory
- ch. 23. Prophecies of alarms
- Epilogue
- ch. 24. Unfinished business
- Notes
- Selected bibliography
- Index
- List of CD contents.