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Proof through the Night : Music and the Great War /
Watkins's narrative argues that 20th-century Modernism was not launched full force with the advent of the Great War but rather was challenged by a new set of alternatives to the prewar avant-garde.
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Berkeley :
University of California Press,
2003.
|
| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a22000004a 4500 | ||
|---|---|---|---|
| 001 | musev2_25835 | ||
| 003 | MdBmJHUP | ||
| 005 | 20230905042739.0 | ||
| 006 | m o d | ||
| 007 | cr||||||||nn|n | ||
| 008 | 040727s2003 cau o 00 0 eng d | ||
| 020 | |a 9780520927896 | ||
| 020 | |z 9780520231580 | ||
| 035 | |a (OCoLC)56028697 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Watkins, Glenn, |d 1927- | |
| 245 | 1 | 0 | |a Proof through the Night : |b Music and the Great War / |c Glenn Watkins. |
| 264 | 1 | |a Berkeley : |b University of California Press, |c 2003. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2014 | |
| 264 | 4 | |c ©2003. | |
| 300 | |a 1 online resource (614 pages): |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a List of CD contents: p. 597-598. | |
| 505 | 0 | 0 | |t List of illustrations -- |t Acknowledgments -- |t Introduction -- |t Prologue -- |g ch. 1. |t In search of kultur -- |t Great Britain -- |g ch. 2. |t Pomp and circumstance -- |g ch. 3. |t The old lie -- |g ch. 4. |t The symphony of the front -- |t France -- |g ch. 5. |t Mobilization and the call to history -- |g ch. 6. |t War and the children -- |t ch. 7. |t War games, 1914-1915 -- |g ch. 8. |t Charades and masquerades -- |g ch. 9. |t Church, state, and schola -- |g ch. 10. |t Neoclassicism, aviation, and the Great War -- |t Italy -- |g ch. 11. |t The world of the future, the future of the world -- |t Germany-Austria -- |g ch. 12. |t "Dance of death" -- |g ch. 13. "The |t last days of mankind" -- |t The United States of America -- |g ch. 14. "The |t Yanks are coming" -- |g ch. 15. |t "Onward Christian soldiers" -- |g ch. 16. |t The 100% American -- |g ch. 17. |t "Proof through the night" -- |g ch. 18. |t "On patrol in no man's land" -- |g ch. 19. |t Coming of age in America -- |t Post-Armistice -- |g ch. 20. |t "Goin' home" -- |g ch. 21. |t Ceremonials and the war of nerves -- |g ch. 22. |t The persistence of memory -- |g ch. 23. |t Prophecies of alarms -- |t Epilogue -- |g ch. 24. |t Unfinished business -- |t Notes -- |t Selected bibliography -- |t Index -- |t List of CD contents. |
| 520 | 8 | |a Watkins's narrative argues that 20th-century Modernism was not launched full force with the advent of the Great War but rather was challenged by a new set of alternatives to the prewar avant-garde. | |
| 546 | |a English. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Music and war. |2 fast |0 (OCoLC)fst01030492 | |
| 650 | 7 | |a Music. |2 fast |0 (OCoLC)fst01030269 | |
| 650 | 7 | |a MUSIC |x General. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x History & Criticism. |2 bisacsh | |
| 650 | 6 | |a Musique |y 20e siecle |x Histoire et critique. | |
| 650 | 6 | |a Guerre mondiale, 1914-1918 |x Musique et guerre. | |
| 650 | 0 | |a Music |y 20th century |x History and criticism. | |
| 650 | 0 | |a World War, 1914-1918 |x Music and the war. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/25835/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - Archive Complete Supplement II | ||
| 945 | |a Project MUSE - Archive Film, Theater and Performing Arts Supplement II | ||