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Hollywood Be Thy Name : African American Religion in American Film, 1929-1949
From the earliest years of sound film in America, Hollywood studios and independent producers of "race films" for black audiences created stories featuring African American religious practices. In the first book to examine how the movies constructed images of African American religion, Jud...
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
CA :
University of California Press,
2007.
|
| Colección: | Book collections on Project MUSE.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Weisenfeld, Judith. | |
| 245 | 1 | 0 | |a Hollywood Be Thy Name : |b African American Religion in American Film, 1929-1949 |
| 264 | 1 | |a CA : |b University of California Press, |c 2007. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2014 | |
| 264 | 4 | |c ©2007. | |
| 300 | |a 1 online resource (355 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a The George Gund Foundation book in African American studies | |
| 505 | 0 | |a List of Illustrations; Acknowledgments; Introduction; 1. "'Taint What You Was, It's What You IsToday"; 2. "'De Lawd' a Natchel Man"; 3. "A Mighty Epic of Modern Morals"; 4. "Saturday Sinners and Sunday Saints"; 5. "A Long, Long Way"; 6. "Why Didn't They Tell Me I'ma Negro?"; Conclusion; Filmography; Notes; Select Bibliography; Index. | |
| 520 | |a From the earliest years of sound film in America, Hollywood studios and independent producers of "race films" for black audiences created stories featuring African American religious practices. In the first book to examine how the movies constructed images of African American religion, Judith Weisenfeld explores these cinematic representations and how they reflected and contributed to complicated discourses about race, the social and moral requirements of American citizenship, and the very nature of American identity. Drawing on such textual sources as studio production files, censorship recor. | ||
| 546 | |a English. | ||
| 588 | |a Description based on print version record. | ||
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| 945 | |a Project MUSE - Archive Film, Theater and Performing Arts Supplement II | ||