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Bach's Cycle, Mozart's Arrow : An Essay on the Origins of Musical Modernity /
Uses the works of Monteverdi, Bach, Mozart, and Beethoven to support the claims that it was only in the later eighteenth century that music began to take the flow of time from the past to the future seriously.
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Berkeley :
University of California Press,
2007.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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|---|---|---|---|
| 001 | musev2_25724 | ||
| 003 | MdBmJHUP | ||
| 005 | 20230905042733.0 | ||
| 006 | m o d | ||
| 007 | cr||||||||nn|n | ||
| 008 | 100318s2007 cau o 00 0 eng d | ||
| 010 | |z 2021696938 | ||
| 020 | |a 9780520933699 | ||
| 020 | |z 9780520250918 | ||
| 035 | |a (OCoLC)536159949 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Berger, Karol, |d 1947- | |
| 245 | 1 | 0 | |a Bach's Cycle, Mozart's Arrow : |b An Essay on the Origins of Musical Modernity / |c Karol Berger. |
| 264 | 1 | |a Berkeley : |b University of California Press, |c 2007. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2014 | |
| 264 | 4 | |c ©2007. | |
| 300 | |a 1 online resource (444 pages): |b illustrations, music | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a A Simpson book in the humanities | |
| 505 | 0 | |a Prelude : L'Orfeo, or the anxiety of the moderns -- Bach's cycle. The arrested procession ; A crystal flying like a bullet ; There is no time like God's time -- Interlude : Jean-Jacques contra Augustinum : a little treatise on moral-political theology -- Mozart's arrow. Mozart at play ; The hidden center ; Between incoherence and inauthenticity : Don Giovanni and Faust ; Die Zauberflöte, or the self-assertion of the moderns -- Postlude : between utopia and melancholy : Beethoven and the aesthetic state. | |
| 520 | |a Uses the works of Monteverdi, Bach, Mozart, and Beethoven to support the claims that it was only in the later eighteenth century that music began to take the flow of time from the past to the future seriously. | ||
| 588 | |a Description based on print version record. | ||
| 600 | 1 | 7 | |a Mozart, Wolfgang Amadeus, |d 1756-1791. |2 fast |0 (OCoLC)fst00050702 |
| 600 | 1 | 7 | |a Bach, Johann Sebastian, |d 1685-1750. |2 fast |0 (OCoLC)fst00031701 |
| 600 | 1 | 0 | |a Mozart, Wolfgang Amadeus, |d 1756-1791 |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Bach, Johann Sebastian, |d 1685-1750 |x Criticism and interpretation. |
| 650 | 7 | |a Music. |2 fast |0 (OCoLC)fst01030269 | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Classical. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x History & Criticism. |2 bisacsh | |
| 650 | 6 | |a Musique |y 18e siecle |x Histoire et critique. | |
| 650 | 0 | |a Music |y 18th century |x History and criticism. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/25724/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - Archive Complete Supplement II | ||
| 945 | |a Project MUSE - Archive Film, Theater and Performing Arts Supplement II | ||