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Medieval Music and the Art of Memory /
Asking such fundamental questions as how singers managed to memorise such an enormous amount of music and how music composed in the mind rather than in writing has affected musical style, this text explores the impact of the art of memory on the composition and transmission of medieval music.
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Berkeley :
University of California Press,
2005.
|
| Colección: | Book collections on Project MUSE.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 006 | m o d | ||
| 007 | cr||||||||nn|n | ||
| 008 | 051101s2005 cau o 00 0 eng d | ||
| 020 | |a 9780520930643 | ||
| 020 | |z 9780520240285 | ||
| 035 | |a (OCoLC)62196185 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Berger, Anna Maria Busse. | |
| 245 | 1 | 0 | |a Medieval Music and the Art of Memory / |c Anna Maria Busse Berger. |
| 264 | 1 | |a Berkeley : |b University of California Press, |c 2005. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2014 | |
| 264 | 4 | |c ©2005. | |
| 300 | |a 1 online resource (304 pages): |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a Prologue : the first great dead white male composer -- The construction of the memorial archive -- Tonaries : a tool for memorizing chant -- Basic theory treatises -- The memorization of organum, discant, and counterpoint treatises -- Compositional process in polyphonic music -- Compositional process and transmission of Notre Dame polyphony -- Visualization and the composition of polyphonic music. | |
| 520 | 8 | |a Asking such fundamental questions as how singers managed to memorise such an enormous amount of music and how music composed in the mind rather than in writing has affected musical style, this text explores the impact of the art of memory on the composition and transmission of medieval music. | |
| 588 | |a Description based on print version record. | ||
| 650 | 1 | 7 | |a Herinnering. |2 gtt |
| 650 | 1 | 7 | |a Muziekwerken. |2 gtt |
| 650 | 1 | 7 | |a Muziek. |2 gtt |
| 650 | 7 | |a Komposition |g Musik |2 gnd | |
| 650 | 7 | |a Gedächtnis |2 gnd | |
| 650 | 7 | |a Musik |2 gnd | |
| 650 | 7 | |a Mittelalter |2 gnd | |
| 650 | 7 | |a Music |2 fast |0 (OCoLC)fst01030269 | |
| 650 | 7 | |a Memory. |2 fast |0 (OCoLC)fst01015913 | |
| 650 | 7 | |a Composition (Music) |2 fast |0 (OCoLC)fst00871761 | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Classical. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a memory (psychological concept) |2 aat | |
| 650 | 6 | |a Memoire. | |
| 650 | 6 | |a Composition (Musique) |x Histoire. | |
| 650 | 6 | |a Musique |y 15e siecle |x Histoire et critique. | |
| 650 | 6 | |a Musique |y 500-1400 |x Histoire et critique. | |
| 650 | 0 | |a Memory. | |
| 650 | 0 | |a Composition (Music) |x History. | |
| 650 | 0 | |a Music |y 15th century |x History and criticism. | |
| 650 | 0 | |a Music |y 500-1400 |x History and criticism. | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/25722/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - Archive Complete Supplement II | ||
| 945 | |a Project MUSE - Archive Film, Theater and Performing Arts Supplement II | ||