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i never knew what time it was /
"In this series of intricately related texts, internationally known poet, critic, and performance artist David Antin explores the experience of time-how it's felt, remembered, and recounted. These free-form talk pieces-sometimes called talk poems or simply talks-began as improvisations at...
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Berkeley :
University of California Press,
2005.
|
| Colección: | Book collections on Project MUSE.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 020 | |a 9780520938298 | ||
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| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Antin, David. | |
| 245 | 1 | 0 | |a i never knew what time it was / |c David Antin. |
| 264 | 1 | |a Berkeley : |b University of California Press, |c 2005. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2014 | |
| 264 | 4 | |c ©2005. | |
| 300 | |a 1 online resource (186 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a The theory and practice of postmodernism: a manifesto -- California: the nervous camel -- Cafe Europa -- Talking at Blerancourt -- The noise of time -- I never knew what time it was -- Time on my hands -- How wide is the frame -- What happened to Walter -- Endangered nouns. | |
| 520 | 3 | |a "In this series of intricately related texts, internationally known poet, critic, and performance artist David Antin explores the experience of time-how it's felt, remembered, and recounted. These free-form talk pieces-sometimes called talk poems or simply talks-began as improvisations at museums, universities, and poetry centers where Antin was invited to come and think out loud. Serious and playful, they move rapidly from keen analysis to powerful storytelling to passages of pure comedy, as they range kaleidoscopically across Antin's experiences: in the New York City of his childhood and youth, the Eastern Europe of family and friends, and the New York and Southern California of his art and literary career. The author's analysis and abrasive comedy have been described as a mix of Lenny Bruce and Ludwig Wittgenstein, his commitment to verbal invention and narrative as a fusion of Mark Twain and Gertrude Stein. Taken together, these pieces provide a rich oral history of and critical context for the evolution of the California art scene from the 1960s onward."-- |c Provided by publisher. | |
| 546 | |a English. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Performance art. |2 fast |0 (OCoLC)fst01057852 | |
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| 650 | 7 | |a Arts. |2 fast |0 (OCoLC)fst00817721 | |
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| 650 | 0 | 7 | |a Arts |z California. |2 cct |
| 650 | 7 | |a POETRY |x General. |2 bisacsh | |
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| 651 | 0 | |a California |x Civilization. | |
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| 655 | 7 | |a Texts. |2 fast |0 (OCoLC)fst01423705 | |
| 655 | 7 | |a poetry. |2 aat | |
| 655 | 2 | |a Poetry | |
| 655 | 0 | |a Electronic book. | |
| 655 | 7 | |a Poetry. |2 fast |0 (OCoLC)fst01423828 | |
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| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/25684/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - Archive Complete Supplement II | ||
| 945 | |a Project MUSE - Archive Poetry, Fiction and Creative Non-Fiction Supplement II | ||