Absolute Music, Mechanical Reproduction /

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Recordings are now the primary way we hear classical music, especially the more abstract styles of "absolute" instrumental music. In this original, provocative book, Arved Ashby argues that recording technology has transformed our understanding of art music. Contesting the laments of nosta...

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Detalles Bibliográficos
Autor principal: Ashby, Arved Mark
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Berkeley : University of California Press, 2010.
Colección:Book collections on Project MUSE.
Temas:
Schnabel, Artur, > 1882-1951
Gould, Glenn
Schnabel, Artur, > 1882-1951 > Criticism and interpretation.
Gould, Glenn > Criticism and interpretation.
Sound recordings > Social aspects
Sound > Recording and reproducing > Digital techniques
Performance practice (Music)
Music > Philosophy and aesthetics
Music and technology
Absolute music
MUSIC > Genres & Styles > Classical.
MUSIC > Recording & Reproduction.
MP3 (Norme de codage audio) > Aspect social.
Musique et technologie.
Pratique de l'execution (Musique) > Histoire > 20e siecle.
Musique > Philosophie et esthetique.
Musique pure.
MP3 (Audio coding standard) > Social aspects.
Sound > Recording and reproducing > Digital techniques.
Music and technology.
Performance practice (Music) > History > 20th century.
Music > Philosophy and aesthetics.
Sound recordings > Social aspects.
Absolute music.
History.
Criticism, interpretation, etc.
Electronic books.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • The recorded musical text
  • Recording, repetition, and memory in absolute music
  • Schnabel's rationalism, Gould's pragmatism
  • Digital mythologies
  • Beethoven and the iPod Nation
  • Photo/phono/porno
  • Mahler as imagist.

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