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Absolute Music, Mechanical Reproduction /
Recordings are now the primary way we hear classical music, especially the more abstract styles of "absolute" instrumental music. In this original, provocative book, Arved Ashby argues that recording technology has transformed our understanding of art music. Contesting the laments of nosta...
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Berkeley :
University of California Press,
2010.
|
| Colección: | Book collections on Project MUSE.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 020 | |a 9780520945692 | ||
| 020 | |z 9780520264809 | ||
| 035 | |a (OCoLC)655853281 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Ashby, Arved Mark. | |
| 245 | 1 | 0 | |a Absolute Music, Mechanical Reproduction / |c Arved Ashby. |
| 264 | 1 | |a Berkeley : |b University of California Press, |c 2010. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2014 | |
| 264 | 4 | |c ©2010. | |
| 300 | |a 1 online resource (336 pages): |b illustrations, music | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a The recorded musical text -- Recording, repetition, and memory in absolute music -- Schnabel's rationalism, Gould's pragmatism -- Digital mythologies -- Beethoven and the iPod Nation -- Photo/phono/porno -- Mahler as imagist. | |
| 520 | |a Recordings are now the primary way we hear classical music, especially the more abstract styles of "absolute" instrumental music. In this original, provocative book, Arved Ashby argues that recording technology has transformed our understanding of art music. Contesting the laments of nostalgic critics, Ashby sees recordings as socially progressive and instruments of a musical vernacular, but also finds that recording and absolute music actually involve similar notions of removing sound from context. He takes stock of technology's impact on classical music, addressing the questions at the heart. | ||
| 546 | |a English. | ||
| 588 | |a Description based on print version record. | ||
| 600 | 1 | 7 | |a Schnabel, Artur, |d 1882-1951 |2 fast |0 (OCoLC)fst00001175 |
| 600 | 1 | 7 | |a Gould, Glenn |2 fast |0 (OCoLC)fst00012147 |
| 600 | 1 | 0 | |a Schnabel, Artur, |d 1882-1951 |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Gould, Glenn |x Criticism and interpretation. |
| 650 | 7 | |a Sound recordings |x Social aspects |2 fast |0 (OCoLC)fst01127060 | |
| 650 | 7 | |a Sound |x Recording and reproducing |x Digital techniques |2 fast |0 (OCoLC)fst01126959 | |
| 650 | 7 | |a Performance practice (Music) |2 fast |0 (OCoLC)fst01057874 | |
| 650 | 7 | |a Music |x Philosophy and aesthetics |2 fast |0 (OCoLC)fst01030408 | |
| 650 | 7 | |a Music and technology |2 fast |0 (OCoLC)fst01030490 | |
| 650 | 7 | |a Absolute music |2 fast |0 (OCoLC)fst00794719 | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Classical. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Recording & Reproduction. |2 bisacsh | |
| 650 | 6 | |a MP3 (Norme de codage audio) |x Aspect social. | |
| 650 | 6 | |a Musique et technologie. | |
| 650 | 6 | |a Pratique de l'execution (Musique) |x Histoire |y 20e siecle. | |
| 650 | 6 | |a Musique |x Philosophie et esthetique. | |
| 650 | 6 | |a Musique pure. | |
| 650 | 0 | |a MP3 (Audio coding standard) |x Social aspects. | |
| 650 | 0 | |a Sound |x Recording and reproducing |x Digital techniques. | |
| 650 | 0 | |a Music and technology. | |
| 650 | 0 | |a Performance practice (Music) |x History |y 20th century. | |
| 650 | 0 | |a Music |x Philosophy and aesthetics. | |
| 650 | 0 | |a Sound recordings |x Social aspects. | |
| 650 | 0 | |a Absolute music. | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/25681/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - Archive Complete Supplement II | ||
| 945 | |a Project MUSE - Archive Film, Theater and Performing Arts Supplement II | ||