War, Memory, and the Politics of Humor : The Canard Enchaîné and World War I /
'War, Memory and the Politics of Humor' features carnage and cannibalism, gender and cross-dressing, drunks and heroes militarism and memory, all set against the background of World War I France.
Autor principal: | |
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Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Berkeley:
University of California Press,
2002.
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Colección: | Book collections on Project MUSE.
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Temas: | |
Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Cover
- Contents
- List of Illustrations
- Preface and Acknowledgments
- INTRODUCTION: WAR, LIES, AND NEWSPRINT
- 1. SATIRE AND CENSORSHIP
- 2. VERBAL AND VISUAL, HUMOR AND POLITICS: ORGANIZATION AS DISCOURSE
- 3. UNSTUFFING SKULLS: THE CANARD VERSUS THE MASS PRESS
- 4. THE TEARS OF LINTRAN: SEMIOTIC HIJACKING AND WARTIME ANXIETIES
- 5. SOLDIERS VERSUS PROFITEERS: CLASS WAR AS PATRIOTISM
- 6. IN VINO VERITAS: DE LA FOUCHARDI200;RE, BICARD, AND THE POLITICS OF INEBRIATION
- 7. PEACE OR POSTWAR: THE NEXT LAST WAR
- 8. WEB OF MEMORY
- 9. BETWEEN CANNIBALISM AND RESURRECTION: THE BODY OF THE UNKNOWN SOLDIER
- 10. ANTI-IMPERIALISM AND ITS STEREOTYPES: WAR IN THE COLONIES
- 11. POLITICS AS USUAL: AN ANTIPARLIAMENTARISM OF THE LEFT?
- 12. CANARD ECONOMICS, OR THE COSTS OF THE WAR
- 13. THE WEALTH OF NATIONS
- 14. CONCLUSION: POLITICS OF HUMOR, POLITICS OF MEMORY
- Notes
- Index
- A
- B
- C
- D
- E
- F
- G
- H
- I
- J
- K
- L
- M
- N
- O
- P
- Q
- R
- S
- T
- U
- V
- W
- Y.