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How the West Was Sung : Music in the Westerns of John Ford /

Provides a comprehensive analysis of Ford's use of music in his iconic westerns. Covering a variety of critical approaches and incorporating original archival research, this book explores the director's oft-noted predilection for American folk song, hymnody, and period music. It states tha...

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Detalles Bibliográficos
Autor principal: Kalinak, Kathryn Marie, 1952-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Berkeley : University of California Press, 2007.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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040 |a MdBmJHUP  |c MdBmJHUP 
100 1 |a Kalinak, Kathryn Marie,  |d 1952- 
245 1 0 |a How the West Was Sung :   |b Music in the Westerns of John Ford /   |c Kathryn Kalinak. 
264 1 |a Berkeley :  |b University of California Press,  |c 2007. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2014 
264 4 |c ©2007. 
300 |a 1 online resource (271 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
505 0 |a Acknowledgments; Introduction; 1. How the West Was Sung: Music in the Life and Films of John Ford; 2. Hearing the Music in John Ford's Silents: The Iron Horse and 3 Bad Men; 3. "Based on American Folk Songs": Scoring the West in Stagecoach; 4. Two Fordian Film Scores: My Darling Clementine and The Man Who Shot Liberty Valance; 5. "Western as Hell": 3 Godfathers and Wagon Master; 6. "The Girl I Left Behind Me": Men, Women, and Ireland in the Cavalry Trilogy; 7. "What Makes a Man to Wander": The Searchers; 8. In the Shadow of The Searchers: Two Rode Together and Sergeant Rutledge. 
520 |a Provides a comprehensive analysis of Ford's use of music in his iconic westerns. Covering a variety of critical approaches and incorporating original archival research, this book explores the director's oft-noted predilection for American folk song, hymnody, and period music. It states that Ford used music as more than a stylistic gesture. 
546 |a English. 
588 |a Description based on print version record. 
600 1 7 |a Ford, John,  |d 1894-1973.  |2 fast  |0 (OCoLC)fst00037420 
600 1 0 |a Ford, John,  |d 1894-1973  |x Criticism and interpretation. 
650 7 |a Motion picture music.  |2 fast  |0 (OCoLC)fst01027201 
650 7 |a PERFORMING ARTS  |x Film & Video  |x General.  |2 bisacsh 
650 7 |a MUSIC  |x Instruction & Study  |x Theory.  |2 bisacsh 
650 6 |a Film, Musique de  |z États-Unis  |x Histoire et critique. 
650 0 |a Motion picture music  |z United States  |x History and criticism. 
651 7 |a United States.  |2 fast  |0 (OCoLC)fst01204155 
655 7 |a Films.  |2 rvmgf 
655 7 |a Motion pictures.  |2 lcgft 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Motion pictures.  |2 fast  |0 (OCoLC)fst01726252 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/25435/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - Archive Complete Supplement II 
945 |a Project MUSE - Archive Film, Theater and Performing Arts Supplement II