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Cinema, Emergence, and the Films of Satyajit Ray /
Although revered as one of the world's great filmmakers, the Indian director Satyajit Ray is described either in narrowly nationalistic terms or as an artist whose critique of modernity is largely derived from European ideas. Rarely is he seen as an influential modernist in his own right whose...
| Autor principal: | |
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Berkeley :
University of California Press,
2010.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Introduction : the light of the new moon
- Catastrophe and utopia : Ghare Baire, or the household goddess
- The (un)moving image : visuality and the modern in Charulata
- Devi : documenting the decadent, incarnating the modern
- The music room revisited : Jalsaghar, attraction, perception
- Take two : Mahanagar and cinematic imperfection
- Cinema and universality : Apur Sansar
- Conclusion : lateness and cinema.