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Cinema, Emergence, and the Films of Satyajit Ray /
Although revered as one of the world's great filmmakers, the Indian director Satyajit Ray is described either in narrowly nationalistic terms or as an artist whose critique of modernity is largely derived from European ideas. Rarely is he seen as an influential modernist in his own right whose...
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Berkeley :
University of California Press,
2010.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 008 | 100721s2010 cau o 00 0 eng d | ||
| 020 | |a 9780520946040 | ||
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| 035 | |a (OCoLC)649810666 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Ganguly, Keya. | |
| 245 | 1 | 0 | |a Cinema, Emergence, and the Films of Satyajit Ray / |c Keya Ganguly. |
| 264 | 1 | |a Berkeley : |b University of California Press, |c 2010. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2014 | |
| 264 | 4 | |c ©2010. | |
| 300 | |a 1 online resource (274 pages): |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a Introduction : the light of the new moon -- Catastrophe and utopia : Ghare Baire, or the household goddess -- The (un)moving image : visuality and the modern in Charulata -- Devi : documenting the decadent, incarnating the modern -- The music room revisited : Jalsaghar, attraction, perception -- Take two : Mahanagar and cinematic imperfection -- Cinema and universality : Apur Sansar -- Conclusion : lateness and cinema. | |
| 520 | |a Although revered as one of the world's great filmmakers, the Indian director Satyajit Ray is described either in narrowly nationalistic terms or as an artist whose critique of modernity is largely derived from European ideas. Rarely is he seen as an influential modernist in his own right whose contributions to world cinema remain unsurpassed. In this benchmark study, Keya Ganguly situates Ray's work within the internationalist spirit of the twentieth century, arguing that his film experiments revive the category of political or "committed" art. She suggests that in their depictions of Indian l. | ||
| 546 | |a English. | ||
| 588 | |a Description based on print version record. | ||
| 600 | 1 | 7 | |a Ray, Satyajit, |d 1921-1992. |2 fast |0 (OCoLC)fst00048430 |
| 600 | 1 | 0 | |a Ray, Satyajit, |d 1921-1992 |x Criticism and interpretation. |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x General. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Reference. |2 bisacsh | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/25382/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - Archive Complete Supplement II | ||
| 945 | |a Project MUSE - Archive Film, Theater and Performing Arts Supplement II | ||
| 945 | |a Project MUSE - Archive Asian and Pacific Studies Supplement | ||