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Rhymin' and Stealin' : Musical Borrowing in Hip-Hop /
Rhymin' and Stealin' Musical Borrowing in Hip-Hop, Dr Williams uses examples from Nas, Jay-Z, A Tribe Called Quest, Eminem, and many others to show that the transformation of pre-existing material is the fundamental element of hip-hop aesthetics.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Baltimore, Maryland :
Project Muse,
2013
|
| Colección: | Tracking pop.
Book collections on Project MUSE. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 020 | |a 9780472029396 | ||
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| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 050 | 4 | |a ML3531 |b .W55 2013 | |
| 082 | 0 | |a 782.421649 |2 23 | |
| 100 | 1 | |a Williams, Justin A., |e author. | |
| 245 | 1 | 0 | |a Rhymin' and Stealin' : |b Musical Borrowing in Hip-Hop / |c Justin A. Williams. |
| 264 | 1 | |a Baltimore, Maryland : |b Project Muse, |c 2013 | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2013 | |
| 264 | 4 | |c ©2013 | |
| 300 | |a 1 online resource (276 pages): |b illustrations. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Tracking pop | |
| 500 | |a Issued as part of book collections on Project MUSE. | ||
| 500 | |a Issued as part of book collections on Project MUSE. | ||
| 504 | |a Includes bibliographical references (pages 225-252) and index. | ||
| 505 | 0 | |a Introduction -- Historicizing the breakbeat : hip-hop's origins and authenticity -- The construction of jazz rap as high art in hip-hop music -- Dr. Dre's "Jeep beats" and musical borrowing for the automotive space -- The martyr industry : Tupac Shakur, the Notorious B.I.G., and postmortem sampling -- Borrowing and lineage in Eminem/2Pac's Loyal to the game and 50 Cent's Get rich or die trying -- Conclusion -- Notes -- Bibliography -- Discography -- Filmography -- Index. | |
| 506 | |a Access restricted to authorized users and institutions. | ||
| 520 | |a Rhymin' and Stealin' Musical Borrowing in Hip-Hop, Dr Williams uses examples from Nas, Jay-Z, A Tribe Called Quest, Eminem, and many others to show that the transformation of pre-existing material is the fundamental element of hip-hop aesthetics. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 0 | |a Hip-hop. | |
| 650 | 0 | |a Allusions in music. | |
| 650 | 0 | |a Rap (Music) |x History and criticism. | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse, |e distributor. | |
| 776 | 1 | 8 | |i Print version: |z 472118927 |z 472029398 |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Tracking pop. | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/25315/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - 2013 Film, Theater and Performing Arts | ||
| 945 | |a Project MUSE - 2013 Complete | ||