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110314s2011 mnu o 00 0 eng d |
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|a 9780816674886
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|z 0816674884
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|z 9780816667512
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|a (OCoLC)705538368
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|a MdBmJHUP
|c MdBmJHUP
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|a Bardini, Thierry.
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|a Junkware /
|c Thierry Bardini.
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|a Minneapolis :
|b University of Minnesota Press,
|c 2011.
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|a Baltimore, Md. :
|b Project MUSE,
|c 2014
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|c ©2011.
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|a 1 online resource (328 pages):
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Posthumanities ;
|v 13
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|a ACKNOWLEDGMENTS; CODA: Lambdas All Over the Place; INTRODUCTION, or a Set of Promoters: Robbe-Grillet Cleansing Every Object in Sight, and Vik Muniz Piling Them Up; Part I: 3' Biomolecular Junk; Part II: 5' Molar Junk: Hyperviral Culture; DE-CODA; GLOSSARY; NOTES; INDEX.
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|a Are we made of junk? Thierry Bardini believes we are. Examining an array of cybernetic structures from genetic codes to communication networks, he explores the idea that most of culture and nature, including humans, is composed primarily of useless, but always potentially recyclable, material otherwise known as "junk." Bardini unravels the presence of junk at the interface between science fictions and fictions of science, showing that molecular biology and popular culture since the early 1960s belong to the same culture-cyberculture-which is essentially a culture of junk. He draws on
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|a Description based on print version record.
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650 |
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|a Philosophische Anthropologie
|2 gnd
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|a Genetik
|2 gnd
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|a Philosophical anthropology.
|2 fast
|0 (OCoLC)fst01060766
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|a DNA.
|2 fast
|0 (OCoLC)fst00886555
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|a TECHNOLOGY & ENGINEERING
|x Electronics
|x Digital.
|2 bisacsh
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|a PHILOSOPHY
|x Movements
|x Humanism.
|2 bisacsh
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650 |
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|a philosophical anthropology.
|2 aat
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|a ADN.
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|a Anthropologie philosophique.
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|a DNA
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|a DNA.
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|a Philosophical anthropology.
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|a Electronic books.
|2 local
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|a Project Muse.
|e distributor
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|a Book collections on Project MUSE.
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/24933/
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|a Project MUSE - Custom Collection
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945 |
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|a Project MUSE - Archive Complete Supplement II
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|a Project MUSE - Archive Global Cultural Studies Supplement II
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