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The Heretical Archive : Digital Memory at the End of Film /
This book examines the relationship between memory and creation in artworks that use digital technology while appropriating film materials. The author argues that these digital films and multimedia installations radically transform our memory of cinema and our understanding of the archive. Indeed, s...
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
London :
University of Minnesota Press,
2013.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 008 | 130222s2013 mnu o 00 0 eng d | ||
| 020 | |a 9781452939650 | ||
| 020 | |z 9780816681105 | ||
| 020 | |z 1452939659 | ||
| 035 | |a (OCoLC)859390438 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Torlasco, Domietta, |d 1968- | |
| 245 | 1 | 4 | |a The Heretical Archive : |b Digital Memory at the End of Film / |c Domietta Torlasco. |
| 264 | 1 | |a London : |b University of Minnesota Press, |c 2013. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2013 | |
| 264 | 4 | |c ©2013. | |
| 300 | |a 1 online resource (160 pages): |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a Introduction -- Against house arrest -- Digital impressions : writing memory after Agnes Varda -- Folding time : toward a new theory of montage -- Archiving disappearance : from Michelangelo Antonioni to new media. | |
| 520 | |a This book examines the relationship between memory and creation in artworks that use digital technology while appropriating film materials. The author argues that these digital films and multimedia installations radically transform our memory of cinema and our understanding of the archive. Indeed, such works define a notion of archiving not as the passive preservation of audiovisual signs but as an intervention and the creative rearticulation of cinema's perceptual and political textures. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Teknikutveckling. |2 sfit | |
| 650 | 7 | |a Digitalisering. |2 sfit | |
| 650 | 7 | |a Filmteori. |2 sfit | |
| 650 | 7 | |a Ästhetik |2 gnd | |
| 650 | 7 | |a Film |2 gnd | |
| 650 | 7 | |a Motion pictures |x Philosophy. |2 fast |0 (OCoLC)fst01027348 | |
| 650 | 7 | |a LITERARY CRITICISM |x Semiotics & Theory. |2 bisacsh | |
| 650 | 7 | |a PHOTOGRAPHY |x Techniques |x Cinematography & Videography. |2 bisacsh | |
| 650 | 7 | |a ART |x Film & Video. |2 bisacsh | |
| 650 | 0 | |a Motion pictures |x Philosophy. | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/24882/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - 2013 Film, Theater and Performing Arts | ||
| 945 | |a Project MUSE - 2013 Complete | ||