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Brutal Vision : The Neorealist Body in Postwar Italian Cinema /
Film history identifies Italian neorealism as the exemplar of national cinema, a specifically domestic response to wartime atrocities. Brutal Vision challenges this orthodoxy by arguing that neorealist films-including such classics as Rome, Open City; Paisan; Shoeshine; and Bicycle Thieves -should b...
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Minneapolis :
University of Minnesota Press,
2012.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Schoonover, Karl. | |
| 245 | 1 | 0 | |a Brutal Vision : |b The Neorealist Body in Postwar Italian Cinema / |c Karl Schoonover. |
| 264 | 1 | |a Minneapolis : |b University of Minnesota Press, |c 2012. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2014 | |
| 264 | 4 | |c ©2012. | |
| 300 | |a 1 online resource (328 pages): |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a Introduction -- An inevitably obscene cinema: Bazin and neorealism -- The North Atlantic ballyhoo of liberal humanism -- Rossellini's exemplary corpse and the sovereign bystander -- Spectacular suffering: De Sica's bodies and charity's gaze -- Neorealism undone: the resistant physicalities of the second generation -- Conclusion. | |
| 520 | |a Film history identifies Italian neorealism as the exemplar of national cinema, a specifically domestic response to wartime atrocities. Brutal Vision challenges this orthodoxy by arguing that neorealist films-including such classics as Rome, Open City; Paisan; Shoeshine; and Bicycle Thieves -should be understood less as national products and more as complex agents of a postwar reorganization of global politics. For these films, cinema facilitates the liberal humanist sympathy required to usher in a new era of world stability. In his readings of crucial films and newly discovered documents from. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Realism in motion pictures. |2 fast |0 (OCoLC)fst01091239 | |
| 650 | 7 | |a Motion pictures. |2 fast |0 (OCoLC)fst01027285 | |
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| 650 | 7 | |a ART |x Film & Video. |2 bisacsh | |
| 650 | 6 | |a Realisme au cinema. | |
| 650 | 6 | |a Cinema |z Italie. | |
| 650 | 0 | |a Realism in motion pictures. | |
| 650 | 0 | |a Motion pictures |z Italy. | |
| 651 | 7 | |a Italy. |2 fast |0 (OCoLC)fst01204565 | |
| 655 | 7 | |a Electronic books. |2 local | |
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| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/24747/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - 2012 Film, Theater and Performing Arts Supplement | ||
| 945 | |a Project MUSE - 2012 Complete Supplement II | ||