Cargando…
Digital Art and Meaning : Reading Kinetic Poetry, Text Machines, Mapping Art, and Interactive Installations /
In a world increasingly dominated by the digital, the critical response to digital art generally ranges from hype to counterhype. Popular writing about specific artworks seldom goes beyond promoting a given piece and explaining how it operates, while scholars and critics remain unsure about how to i...
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Minneapolis :
University of Minnesota Press,
2011.
|
| Colección: | Book collections on Project MUSE.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a22000004a 4500 | ||
|---|---|---|---|
| 001 | musev2_24671 | ||
| 003 | MdBmJHUP | ||
| 005 | 20230905042629.0 | ||
| 006 | m o d | ||
| 007 | cr||||||||nn|n | ||
| 008 | 110720s2011 mnu o 00 0 eng d | ||
| 020 | |a 9780816676767 | ||
| 020 | |z 9780816667383 | ||
| 020 | |z 0816676763 | ||
| 035 | |a (OCoLC)859380615 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Simanowski, Roberto. | |
| 245 | 1 | 0 | |a Digital Art and Meaning : |b Reading Kinetic Poetry, Text Machines, Mapping Art, and Interactive Installations / |c Roberto Simanowski. |
| 264 | 1 | |a Minneapolis : |b University of Minnesota Press, |c 2011. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2014 | |
| 264 | 4 | |c ©2011. | |
| 300 | |a 1 online resource (328 pages): |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Electronic mediations ; |v 35 | |
| 505 | 0 | |a Introduction. Close reading -- Digital literature -- Kinetic concrete poetry -- Text machines -- Interactive installations -- Mapping art -- Real-time Web sculpture -- Epilogue. Code, interpretation, avant-garde. | |
| 520 | |a In a world increasingly dominated by the digital, the critical response to digital art generally ranges from hype to counterhype. Popular writing about specific artworks seldom goes beyond promoting a given piece and explaining how it operates, while scholars and critics remain unsure about how to interpret and evaluate them. This is where Roberto Simanowski intervenes, demonstrating how such critical work can be done. "Digital Art and Meaning" offers close readings of varied examples from genres of digital art such as kinetic concrete poetry, computer-generated text, interactive ins | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Datorkonst. |2 sao | |
| 650 | 7 | |a Digital konst. |2 sao | |
| 650 | 7 | |a Interactive art. |2 fast |0 (OCoLC)fst00975979 | |
| 650 | 7 | |a Computer art. |2 fast |0 (OCoLC)fst00872033 | |
| 650 | 7 | |a ART |x Digital. |2 bisacsh | |
| 650 | 7 | |a interactive art. |2 aat | |
| 650 | 6 | |a Art interactif. | |
| 650 | 0 | |a Interactive art. | |
| 650 | 0 | |a Computer art. | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/24671/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - Archive Complete Supplement II | ||