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Neither God nor Master : Robert Bresson and Radical Politics /
The French auteur Robert Bresson, director of such classics as Diary of a Country Priest (1951), The Trial of Joan of Arc (1962), The Devil, Probably (1977), and L'Argent (1983), has long been thought of as a transcendental filmmaker preoccupied with questions of grace and predestination and li...
| Autor principal: | |
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Minneapolis :
University of Minnesota Press,
2011.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Introduction
- Crime as a form of liberation : modeling revolt in Pickpocket and A man escaped
- Word and image, world and nothingness : logocentrism and ironic reversal in Proces de Jeanne d'Arc, Diary of a country priest, and Les anges du peche
- Man and animal, master and servant : animals and criminality Mouchette and Au hasard Balthazar
- The aftermath of revolt : Une femme douce and The turn to color
- Disintegration : Lancelot du Lac, or, the failure of identification and totality
- The agony of ideas : The devil probably and revolutionary discourse
- The last gasp : L'argent and the end of socialism.