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Neither God nor Master : Robert Bresson and Radical Politics /
The French auteur Robert Bresson, director of such classics as Diary of a Country Priest (1951), The Trial of Joan of Arc (1962), The Devil, Probably (1977), and L'Argent (1983), has long been thought of as a transcendental filmmaker preoccupied with questions of grace and predestination and li...
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Minneapolis :
University of Minnesota Press,
2011.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Price, Brian, |d 1970- | |
| 245 | 1 | 0 | |a Neither God nor Master : |b Robert Bresson and Radical Politics / |c Brian Price. |
| 264 | 1 | |a Minneapolis : |b University of Minnesota Press, |c 2011. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2014 | |
| 264 | 4 | |c ©2011. | |
| 300 | |a 1 online resource (264 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a Introduction -- Crime as a form of liberation : modeling revolt in Pickpocket and A man escaped -- Word and image, world and nothingness : logocentrism and ironic reversal in Proces de Jeanne d'Arc, Diary of a country priest, and Les anges du peche -- Man and animal, master and servant : animals and criminality Mouchette and Au hasard Balthazar -- The aftermath of revolt : Une femme douce and The turn to color -- Disintegration : Lancelot du Lac, or, the failure of identification and totality -- The agony of ideas : The devil probably and revolutionary discourse -- The last gasp : L'argent and the end of socialism. | |
| 520 | |a The French auteur Robert Bresson, director of such classics as Diary of a Country Priest (1951), The Trial of Joan of Arc (1962), The Devil, Probably (1977), and L'Argent (1983), has long been thought of as a transcendental filmmaker preoccupied with questions of grace and predestination and little interested in the problems of the social world. This book is the first to view Bresson's work in an altogether different context. Rather than a religiousùor spiritualùfilmmaker, Bresson is revealed as an artist steeped in radical, revolutionary politics. Situating Bresson in radical and aesthetic po. | ||
| 546 | |a English. | ||
| 588 | |a Description based on print version record. | ||
| 600 | 1 | 7 | |a Bresson, Robert. |2 fast |0 (OCoLC)fst00015247 |
| 600 | 1 | 0 | |a Bresson, Robert |x Criticism and interpretation. |
| 650 | 7 | |a ART |x Film & Video. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Direction & Production. |2 bisacsh | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/24668/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - Archive Complete Supplement II | ||
| 945 | |a Project MUSE - Archive Film, Theater and Performing Arts Supplement II | ||