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Two-Dimensional Sonata Form : Form and Cycle in Single-Movement Instrumental Works by Liszt, Strauss, Schoenberg and Zemlinsky /
Two-Dimensional Sonata Form is the first book dedicated to the combination of the movements of a multimovement sonata cycle with an overarching single-movement form that is itself organized as a sonata form. Drawing on a variety of historical and recent approaches to musical form (e.g., Marxian and...
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Leuven :
Leuven University Press,
2009.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Two-DimensionalSonata Form; Contents; Acknowledgements; Introduction; Notes; Chapter 1 Two-Dimensional Sonata Form:A terminological and conceptual framework; Levels of form; Analogies between levels; Projection of hierarchies; Identification, interpolation, and exocyclic units; Integration, process, and tension; Further terminological considerations; Notes; Chapter 2Liszt's B-minor Sonata; The locus romanticus of two-dimensional sonata form; The exposition of the overarching sonata form; Identification: first movement and exposition; Interpolation: the slow movement.
- Identification: scherzo-finale and recapitulation-codaNotes; Chapter 3Liszt: Tasso and Die Ideale; Two-dimensional sonata formin the second half of the nineteenth century; Form in Liszt's symphonic poems; Tasso: Lamento e trionfo (1847-54) 9; Die Ideale (1856-57); Notes; Chapter 4Strauss: Don Juan and Ein Heldenleben; Strauss and Liszt; Don Juan Op. 20 (1888-89); Ein Heldenleben Op. 40 (1897-98); Notes; Chapter 5Schoenberg's Pelleas und Melisande; Before Pelleas; Pelleas und Melisande Op. 5 (1902-03); Notes; Chapter 6Schoenberg's First String Quartet; From program to absolute music.
- Issues of form in the overarching sonata formIdentification; Interpolation and integration; Overall form and tonal plan; Notes; Chapter 7Schoenberg's First Chamber Symphony; Overview; Identification; Interpolation; Recapitulation, coda, and finale; Notes; Chapter 8Zemlinsky's Second String Quartet; First approach; Identification; Interpolation; Notes; Conclusion The significanceof two-dimensional sonata form; Appendix:Measure-Number Tables; Bibliography; Index of Names and Works.